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DEPARTMENT  OF  FINE  ARTS

Performing Arts Highlights 2010-2011
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FMU Fine Arts Chamber Recital Series
Thursday, 9 September 2010
Kassab Recital Hall, Hyman Fine Arts Center, 7:30 pm

Paolo André Gualdi, piano

Italian pianist Paolo André Gualdi has played recitals in Italy and the United States, both as a soloist and chamber musician. He has been a featured soloist with the Atlanta Philharmonic, Georgia Philharmonic, Ludwig Symphony, Parma Wind Orchestra, Warren Civic Orchestra, and the University of Georgia Symphony Orchestra. In Italy he has given recitals for the A.Gi.Mus., Accademia Ori, Accademia Amadeus and others. He has also performed for the International Piano Series of Charleston, American Liszt Society, Piccolo Spoleto Festival USA, Cincinnati Conservatory, and Eastman School of Music in Rochester.

Gualdi began studying piano with his father at the age of five, and continued at the Conservatory of Santa Cecilia in Rome, Italy. He earned his Piano Diploma with highest honours at the Conservatory Arrigo Boito in Parma with Roberto Cappello. While in the US, he earned a Masters Degree in Piano Performance at Carnegie Mellon University under the tutelage of Enrique Graf, and a Doctorate of Musical Arts in piano performance at the University of Georgia with Evgeny Rivkin. He participated in master classes with György Sandor, Earl Wild, Menahem Pressler, Sergio Perticaroli, and had several years of private studies with Carlo Maria Dominici.

He has won the top prize in numerous piano competitions, including the European Competition of Ostuni, the Altruda National Competition of Vasto and the Françoise Grimaldi National Competition of San Polo. Winning the “De Martino Award” at the Ibla International Piano Competition enabled him to study at Elon University. During this period he won the First Prize in the Southeastern Piano Competition of Whiteville, North Carolina, and the 15th Bartók-Kabalevsky International Competition in Virginia.

Gualdi has served on the faculties of Elon University, Emmanuel College, Oxford College of Emory University, and is currently Assistant Professor of Music at Francis Marion University.
Paulo
                      Gualdi

PROGRAM

Franz Liszt (1811-1886)


Deuxième Année de Pèlerinage: Italie
, S161, no.1 “Sposalizio”
            (Second year of Pilgrimage: Italy S161, no.1 “Marriage”)
 
Études d'exécution transcendante, S139, no.11 “Harmonies du soir”
            (Transcendental Etude S138, no.11 “Evening harmonies”)
 
Harmonies poétiques et religieuses, S173, no.7 “Funérailles”
            (Poetic and Religious Harmonies S173, no.7 “Funeral”)
 
Deuxième Année de Pèlerinage: Italie, S161, no.5 “Sonetto 104 del Petrarca”
            (Second year of Pilgrimage: Italy S161, no.5 “Petrach's Sonnet No. 104”
 
Mephisto Waltz No. 1 S514


FMU Fine Arts Chamber Recital Series
Thursday, 23 September 2010
Kassab Recital Hall, Hyman Fine Arts Center, 7:30 pm

Recital by Allen Johnson, lute and guitar

Mr. Allen Johnson is a native of Columbia, SC, and has been involved in music since an early age. While attending Columbia High School, he was twice a member of the All State Chorus in the bass section and three times in the Columbia All City Band as a clarinetist. He also acquired self-taught skill as a folk guitarist and Appalachian Dulcimer player.

At the University of South Carolina, he studied voice and clarinet and began to develop the classical guitar style. With well-known conductor Arpad Daraz, a student of the famous pedagogue Zoltan Kodaly, Mr. Johnson was a member of the USC Concert Choir which toured Europe, won many Festival competitions, and performed at the 1975 MENC convention in New Orleans and the 1977 Spoleto Festival in Charleston. Mr. Johnson was also a member of the USC Collegium Musicum, an ensemble devoted to the performance of early music, primarily of the Renaissance and Medieval periods. He played recorders, crumhorn, cornamuse, rackett, shawm and cornetto with this group, which included lute, viol and guitar players. He received his Bachelor of Music degree in Music History in 1977.

Since coming to Florence in 1983 to open a branch of Parker Music Co., he has served as an adjunct professor at Coker College, and has played violin in the Florence Symphony Orchestra for a number of years.

Mr. Johnson has been very involved in the local music scene, performing in the Little Theater pit orchestra, accompanying the Masterworks Choir, and performing with numerous school and civic events, including Medieval Madrigal Dinner performances at South Florence High and Coker College.

Mr Johnson is a past board member of the Florence Area Arts Alliance. As an Arts advocate, he presented a lecture to the Pee Dee Heritage Center on Music In the Pee Dee, which was sponsored by FMU, Coker College, Coastal Carolina and the Governor's School.

Mr. Johnson has taught in the public schools strings program at Wilson High and Williams Middle School, and now concentrates on teaching private lessons and performing.


PROGRAM
                                       On Lute
Pack's Pound. . . . . . . . . . . . . . . . . . . . . . . . . . . .Anon 16th Centruy
Pavane. . . . . . . . . . . . . . . . . . . . . . . .Alphonsono Ferrabosco 1543-1588
Lachrimae Pavane "Flow My Tears". . . . . . . . . . . . . . . John Dowland 1563-1626
A Galliard. . . . . . . . . . . . . . . . . . . . . . . . Thomas Robinson (b c.1560)
                                      On Guitar
Allegro  Brillante. . . . . . . . . . . . . . . . . . . . .Matteo Carcassi 1792-1853
                           Thomas Sudlow, guest guitarist
Prelude in D. . . . . . . . . . . . . . . . . . . . . . . . . . J. S. Bach 1685-1750
                           Chase Bradley, guest guitarist
Serenade. . . . . . . . . . . . . . . . . . . . . . . . . . Franz Schubert 1797-1828
                                 Alan Avant, violin               arr. Allen Johnson
                    Selections may be chosen from the following:
El testament d'Amèlia . . . . . . . . . . . . . . . . . . . .Miguel Llobet 1878-1938
Minuet. . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jose Ferrer 1835-1916
Brazilian Lullaby . . . . . . . . . . . . . . . . . . . . . . . . . . . .Traditional
Alman . . . . . . . . . . . . . . . . . . . . . . . . . . . Robert Johnson 1580-1634
Study in D. . . . . . . . . . . . . . . . . . . . . . . . . . Fernando Sor 1778-1839
Pavanas and Folias. . . . . . . . . . . . . . . . . . . . . . .Gaspar Sanz 1640-1710
Allegro . . . . . . . . . . . . . . . . . . . . . . . . . . Mauro Giuliani 1781-1829
Cadence and Allegretto. . . . . . . . . . . . . . . . . . . Mauro Giuliani 1781-1829
Study in A Minor. . . . . . . . . . . . . . . . . . . . . .Matteo Carcassi 1792-1853
Largo from the Guitar Concerto in D . . . . . . . . . . . .Antonio Vivaldi 1678-1741
Leccion in A Minor. . . . . . . . . . . . . . . . . . . . . . Fernando Sor 1778-1839

Allen Johnson


GrafFMU Artist Series
Thursday, 7 October 2010
Kassab Recital Hall, Hyman Fine Arts Center, 7:30 pm
Free Admission / No Advance Reservations

Enrique Graf, piano



Enrique Graf was born in Montevideo, Uruguay, and is now an American citizen. He started studying piano at the age of four with his mother. After winning all of the national competitions in Uruguay, he came to the Peabody Conservatory of the Johns Hopkins University to study with Leon Fleisher on a full scholarship from the Organization of American States and Peabody.

In 1977 he won First Prize in the National Ensemble Piano Competition, the following year Mr. Graf was the First Prize winner in the William Kapell International Piano Competition and in 1981 he won the East and West International Competition in New York City.

Graf has given recitals all over the world and has been featured as soloist with such orchestras as the Baltimore, Indianapolis, New Jersey, Nashville, Pittsburgh, Richmond, Florida, West Virginia, Illinois, Flagstaff, Augusta, Greenville, Charleston, New York City and Jupiter Symphonies, the Symphony of the Americas, the National Chamber Orchestra, the Illinois Chamber Orchestra, the American Chamber Orchestra, the Hudson Valley Philharmonic, Sinfonia da Camara, Florida Virtuosi Orchestra, the Puerto Rico Symphony, the Montevideo Philharmonic, the Lviv Philharmonic, the Moscow Philharmonic, the Janacek Philharmonic in the Czech Republic, and the National Orchestras of Ukraine, Chile, Uruguay, Peru and Colombia.

He has appeared at Lincoln Center, Kennedy Center, Krannert Center, Carnegie Recital Hall, the Cultural Center of Manila, Teatro Opera in Buenos Aires, the Broward Center for the Performing Arts in Florida, South Bay Center for the Arts in Los Angeles, the Chautauqua Festival, Young Keyboard Artists International Festival in Ann Arbor, the San Miguel de Allende Chamber Music Festival in Mexico, the University of Maryland International Piano Festival, Spoleto International Piano Festival in Italy, “Contrasts” Festival in Lviv, Kiev Music Fest in the Ukraine and the University of Houston International Piano Festival.

As a chamber musician he has toured with Cuarteto Latinoamericano, the Baltimore Wind Ensemble, the American Chamber Players, the Prague Wind Quintet, the Ives Quartet, violinists Andres Cardenes and Lee Chin Siow, and the Apollo String Quartet.

An all Poulenc CD with the Charleston Symphony was a pick of the month by the Sunday London Times and was awarded five stars in Classic CD. His debut recording Enrique Graf plays Bach was called "An end to the discussion of whether or not Bach should be played on the piano" by Paul Hume of the Washington Post. Other recordings of Mozart Sonatas, the Liszt Sonata, the Grieg Concerto, Edward Hart’s Tidal Concerto, Gershwin’s Concerto in F and two Beethoven Concertos have received such praise as "ideal performances" (Fanfare).
                  
PROGRAM

Sonata in E Flat Major, Hob. 16/52. . . Franz Joseph Haydn
    Allegro                                                       (1732-1809)
    Adagio
    Presto


Sonata in B Minor. . . . . . . . . . . . . . . . . . . . . . Franz Liszt
                                                                     (1811-1886)


Danza Criolla. . . . . . . . . . . . . . . . . . . . . . . . Hector Tosar
                                                                     (1923-2002)




FMU Concert Band Concert
Tuesday, 19 October 2010
Chapman Auditorium, McNair Science Bldg, 7:30 pm

FMU Concert Band
Dr. Terry Roberts, conductor


The Concert Band rehearses on Tuesday evenings and is open to adult participation.  This is the fourth year we have performed in this format.  The membership is almost evenly divided between FMU students and community participants.  We are always seeking additional participants; if you play a band instrument or know someone looking for a place to play, please contact us.  Information can be found at Music - Instrumental Program or email Dr. Roberts at troberts@fmarion.edu.

Dr. Roberts
                          directs



FMU Fine Arts Chamber Recital Series
Thursday, 4 November 2010
Chapman Auditorium, McNair Science Building, 7:30 pm

Faculty Jazz

The Francis Marion University music faculty decided to shake things up a bit and improvise their way through a program!

Music will be performed by faculty members Paolo André Gualdi on piano, Greg Gelb on sax, Randy Oswalt on drums and Terry Roberts on bass, with our fine arts center manager Joe Sallenger sitting in on flutes.


PROGRAM
All Blues . . . . . . . . . .Miles Davis

Ceora. . . . . . . . . . . . .Lee Morgan
Green Dolphin Street . .Kaper/Washington
Invitation . . . . . . .Kaper/Washington
One Note Samba . . . . . . . A. C. Jobim
Recorda-Me . . . . . . . . Joe Henderson
Speak No Evil. . . . . . . Wayne Shorter
Well You Needn't . . . . Thelonious Monk
When Sunny Gets Blue . . . .Fisher/Segal
Whisper Not. . . . . . . . .Benny Golson
Willow Weep for Me . . . . . Ann Ronnell


Faculty Jazz

FacJazz


Tim MooneyFMU Artist and Lecture Series
Thursday, 11 November 2010
Chapman Auditorium, McNair Science Building
, 7:00 pm

Lots o' Shakespeare by Tim Mooney

While I was on tour with my one-man show, “Moliere Than Thou,” and performing in one of our southeastern states, one of my hosts informed me that a local Shakespeare Festival was looking to cast their Macbeth, and that I really ought to send them my resume. Having grown up as the stereotypical dweeby theatre major, it was somewhat of a shock to grasp that someone/anyone might look at me and say: “There’s our Macbeth!”

And I started fantasizing about all of the Shakespeare roles that were now coming into my range in my middle years. I thought that I might be able to transform my performance tour into an audition tour. What if, no matter what Shakespeare play they were doing, I had a monologue from that show available to perform? So I might be able to ask, “So what shows are you doing this summer?” And when they said, “Pericles, Coriolanus and Henry VI, part 3? I could say, “Great! Lemme do those for you!”.

I started envisioning an acting workshop and a one-man show and wondered what might be the best order in which I might package these speeches: in the order that the events in the plays actually occurred, according to their date of composition, by the position of the monologue within its play of origin? In the end, I decided to leave it to chance, select the order by lottery and let the audience play along with their own IAGO (Bingo) cards.

Tim Mooney Repertory Theatre

ASCFMU Artist Series and Dept. of English and Modern Languages
Friday, 12 November 2010
Chapman Auditorium, McNair Science Building
, 7:30 pm

As You Like It by William Shakespeare
American Shakespeare Center on Tour
(formerly Shenandoah Shakespeare Express)


The American Shakespeare Center on Tour is the touring arm of the American Shakespeare Center and the Blackfriars Playhouse. As You Like It is one of the plays they will perform on their 2010-11 "Restless Ecstasy Tour."

The Restless Ecstasy troupe will perform at venues throughout the eastern half of the United States from September through November of 2010 and then again from January through March, 2011. In April 2011, the troupe will return to Staunton to present the spring season at the Blackfriars Playhouse through the middle of June.

"We scour the country for the right 10-12 actors to perform all these roles in all of these plays," said ASC Artistic Director Jim Warren. "Not only are we looking for the right talent to do these shows in true rotating repertory (a great lost joy in today's theatre world), but we're also looking for personalities we think will gel into a dynamic, well-balanced ensemble on and off the stage. On top of all of that, we're also looking for singers and musicians because we perform all of our music live and unplugged; join us for our pre-show a half-hour before show time for some musical treats."

As You Like It   "Can one desire too much of a good thing?" -- IV.i

To escape death, the extraordinary Rosalind, her brave cousin Celia, and one of Shakespeare’s funniest fools flee into the woods. There, in the bewitching Forest of Arden, they discover shepherds and aristocrats, country folk and lovers—and, ultimately, life, love, joy, and freedom. Shakespeare’s glorious and wise comedy reminds us of everything it is to be alive.



FMU Jazz ExpressFMU Department of Fine Arts
Thursday, 18 November 2010
Chapman Auditorium, McNair Science Bldg, 7:30 pm

University Jazz Express
Gregg Gelb, conductor

The Jazz Express is a chamber jazz ensemble devoted to the development of individual improvisation skills through the preparation and performance of literature for small jazz groups representing a variety of jazz styles and periods.  Contact Gregg Gelb 843.661.1540 for additional information about participating in the Jazz Express.

PROGRAM
Mr. Clean . . . . . . . by Freddie Hubbard
Sister Sadie. . . . . . . by Horace Silver
Cantaloupe Island . . . .by Herbie Hancock
Sidewinder. . . . . . . . . .by Lee Morgan
Adam's  Apple . . . . . . by Wayne Shorter
Red Clay. . . . . . . . by Freddie Hubbard
Driftin'  . . . . . . . .by Herbie Hancock
Red Baron . . . . . . . . .by Billy Cobham




FMU Department of Fine Arts
Friday, 3 December 2010
Kassab Hall, Hyman Fine Arts Center, 7:30 pm

University String Ensemble
Terry Roberts, director


Open to all university students and faculty interested in learning and performing chamber music, the University String Ensemble members meet for weekly rehearsals during Fall and Spring academic semesters, giving public recitals and accompanying other campus ensembles.
PROGRAM

Presto-Adagio-Allegro vivace........Benedetto Marcello (1686-1739)
                                                      Arr. Bonelli

Mein Jesu........................Johann Sebastian Bach (1685-1750)
                                                    Arr. Stokowski

Prelude in B minor...............Johann Sebastian Bach (1685-1750)
                                                    Arr. Stokowski

Little Suite for string orchestra.........Carl Nielsen (1865-1931)
    Praludium
    Intermezzo
    Finale



FMU Department of Fine Arts
Sunday, 5 December 2010
Kassab Hall, Hyman Fine Arts Center, 3:00 pm

Francis Marion University Concert Choir
Cut Time Show Choir
Sue Butler Orr, director


Open to all university students, the University Concert Choir has an average enrollment of between 35 and 45 students.  This group has sung in numerous area churches and has also performed with the Florence Symphony Orchestra.  They have performed such major choral works as the “Polovetzian Dance and Chorus” of Alexander Borodin, the “Schicksalslied” of Johannes Brahms, and the Ninth Symphony of Ludwig van Beethoven.  Recently their concerts have included selections accompanied by the newly formed Francis Marion string ensemble.

Francis Marion’s show choir, CUT TIME is an audition-only group which combines singing and choreography.  This group performs throughout the region for schools and service organizations.  In the fall of 1996 they traveled to Lake City and Charleston, singing in 5 high schools.  In October of 1997 they sang at Cosmic Ray’s Starlight Café in the Magic Kingdom at Disney World in Orlando.  In 1998 they traveled to Baltimore, Maryland, in Washington, D.C. and in Vienna, Austria.  In April of 2002, they returned to Disney World and Cosmic Ray’s Starlight Café.  Spring of 2003 included a performance cruise to the Bahamas.
FMU Concert
                      Choir


Broughton

FMU Artist Series / Burns Memorial Recital
Thursday, 27 January 2011

Kassab Recital Hall, Hyman Fine Arts Center, 7:30 pm

Free Admission / No Advance Reservations

Gregory Broughton, tenor
A program of celebrated art songs and spirituals composed and arranged by African American composers


Dr. Gregory Broughton, Associate Professor of Voice, was appointed to the University of Georgia School of Music faculty in 1988. He earned the Bachelor of Science in Music Education from the University of Tennessee at Knoxville where his concentration was in vocal and choral music. He received both the Master of Music and the Doctor of Musical Arts in Vocal Performance from the University of Michigan. Broughton's distinguished applied teachers and coaches include Lorna Haywood, Willis Patterson, George Bitzas, Thomas Williams, Martin Katz, Timothy Cheek, Mitchell Krieger and Dale Mann. He has made solo appearances under the baton of conductors Yoel Levi, Donald Neuen, Gustav Meier, John DeMain and J. Paul Cobbs.

At UGA his duties include teaching undergraduate and graduate applied voice instruction and undergraduate academic advising for vocal music majors. In addition to his schedule as teacher and solo performer, Broughton also conducts the University of Georgia African American Choral Ensemble. This student organization's mission is the performance of works composed and/or arranged by African American composers.

Major solo engagements include contracts with the Seattle Symphony for the world premiere of Symphony "Let Thy Mercy Be Upon Us by Stephen Newby, the Toledo Symphony for the Ohio premiere performance of Adolphus Hailstork's oratorio, Done Made My Vow and the Memphis Symphony for a performance of the Beethoven Symphony No. 9. Broughton also was tenor soloist in the world premiere of "Montage Martin" by Stephen Newby with the composer and members of the Savannah Symphony. Other major performances include Haydn's The Creation, Mendelssohn's Elijah, Handel's Judas Maccabeaus, Britten's St. Nicolas Mass and Handel's Messiahwith music organizations throughout the United States.

Broughton has also enjoyed operatic engagements with the Chautauqua Opera, Mid-Michigan Opera and Onyx Opera/Atlanta. He has performed leading tenor roles in Puccini's La Rondine, Verdi's Falstaff, La Traviata, Mozart's Cosi fan tutte, Wm. Grant Still's A Bayou Legend and Scott Joplin's Treemonisha.

As a result of successful performing and teaching, Broughton is a sought after clinician and adjudicator for solo vocal and choral workshops and competitions.


PROGRAM

This Little Light of Mine . . . . .Harris Work, Jr

This River . . . . . . . . . . . . .Uzee Brown, Jr
                                         (b. 1950)

Prayer . . . . . . . . . . . . . . H. Leslie Adams
For You There is No Song                 (b. 1932)
Since You Went Away

Three Dream Portraits . . . . . . . Margaret Bonds
    Minstrel Man                       (1913-1972)
    Dream Variation
    I, Too

Compensation. . . . . . . . . . Charles Lloyd, Jr.
                                         (b. 1948)

Genius Child . . . . . . . . . . . . .Robert Owens
                                         (b. 1925)

                          INTERMISSION
                                
                                
God is a God . . . . . . . . . . .. . . . . . Wendell Whalum
                                                 (1931-1987)

My Good Lord's Done Been Here. . . . . . . . . . Moses Hogan
Give Me Jesus                                    (1957-2003)
Walk Together Children

My God Is So High. . . . . . . . . . . . . . Uzee Brown, Jr.
O! Redeemed                                        (b. 1950)
Ain'a That Good News


THE DAVID MARSHALL AND CATHERINE KOGER BURNS MEMORIAL RECITAL SERIES
    David Marshall Burns, Jr., and Catherine Koger Burns, natives of Charleston, South Carolina, were married and moved to Florence in 1933 where they became actively involved in civic activities and the arts. The Bums Recital Series was established in 1989 by Catherine Burns in memory of her husband and, upon her death in 1995, the Series was renamed the David Marshall and Catherine Koger Burns Memorial Recital Series.
    Mr. Burns was a graduate of the Medical University School of Pharmacy, with a post-graduate degree in pharmaceutical chemistry. Mr. Burns was chief pharmacist at Roper Hospital in Charleston until 1933 when he became Medical Service Representative for Eli Lilly and Company, Pharmaceutical Manufacturers, and moved to Florence.
    He was a member of the South Carolina Pharmaceutical Association as well as the Travelling Men's Organization. He served on the Board of Health of Florence and was Chairman of the Salvation Army Board. He was a member of the Board of Stewards of Central Methodist Church. He was volunteer instructor of pharmacology at McLeod's Nursing School and was twice chosen by the nurses as outstanding teacher.
    Mr. Burns was a member of the Society for Preservation and Encouragement of Barbershop Singing in America, Inc., an organization dedicated to the support of a hospital in Kansas which treats children with speech and hearing defects.
    He was a member of The Graduates, a Quartet which performed at various affairs including Art's Alive at Francis Marion University. He was honored by the local chapter in 1973 and again in 1984 when he was chosen Barbershopper of the Year. His hobby was antique clock collecting and repair. His collection of about 250 clocks went to a museum in North Carolina. After his retirement from Eli Lilly, Mr. Bums worked part-time at Dixon's Drug Store on Dargan Street.
    Catherine Koger Bums was a graduate of Memminger High School in Charleston and later earned degrees in Music and English at Coker College in Hartsville. A talented actress, she later took post graduate work at the University of North Carolina and studied drama at the Bennett School, Millbrook, New York. After a brief attempt to make a New York career in the theater, Mrs. Bums returned to South Carolina and taught piano in Midland, South Carolina, under the supervision of her cousin, Nell Mellichamp. Soon thereafter in 1933, she was married to David Marshall Burns of Charleston.
    In Florence, Mrs. Burns continued to perform as a regular with the Florence Little Theatre and played several leading roles in radio dramas produced by WIS, Columbia, and WCSC, Charleston. As a frequent reader at her Sorosis Literary Club, Mrs. Burns became regionally recognized as an interpreter of the poetry of Dubose Heywood, Harvey Alien, and others. For many years Mrs. Burns performed dramatic readings and narrations at Christmas and Easter Holidays at Central United Methodist Church and Timrod Park. Probably, however, the most satisfaction she ever derived from the use of her talents was when she was "The Story Lady" and read classic stories to the children at the Florence Public Library. This cherished activity was resumed in her adopted hometown of Tallahassee, Florida, where she lived until her death in March 1995. This recital series is a tribute to David and Catherine Burns and their valuable contributions to the enhancement of the arts in the Pee Dee
.


FMU Fine Arts Chamber Recital Series
Monday, 21 February 2011
Kassab Recital Hall, Hyman Fine Arts Center, 7:30 pm

Giuseppe Lupis, piano

Giuseppe Lupis is Assistant Professor of Piano at Grand Valley State University. His interests range from Baroque to contemporary styles and from jazz to his own compositions and arrangements of popular music.
 
As soloist Lupis has appeared in the US, South America, and Europe. Engagements for 2011 include Michigan, Georgia, South Carolina, the American Liszt Society Bicentennial Festival, England and Scotland, Poland, and Italy.
 
Giuseppe Lupis is an active composer. His 8 Variations on Ah! Vous Dirai-je, Maman for solo piano will be presented at the 2011 College Music Society Conference in South Korea, and in a piano and orchestra version at the 2011 Blue Lake Fine Arts Camps. His work La Tarantella was commissioned by 2007 Busoni International Piano Competition finalist Giuseppe Gullotta, for inclusion in his program for the upcoming Maria Canals International Piano Competition in Barcelona, Spain.
 
A former pupil of renowned concert pianist Aldo Ciccolini, Lupis holds a Doctorate in Musical Arts in piano performance at the University of Georgia,under the tutelage of Richard Zimdars, and a piano performance degree earned with highest honors at the State Conservatory of Music in Bari, Italy, with Pierluigi Camicia.

PROGRAM

Five Waltzes. . . . . . . . . . . . . . . . . Frédéric Chopin
    Waltz in D flat major, Op. 64, n. 1           (1810-1849)
    Waltz in C sharp minor, Op. 64, n. 2
    Waltz in A flat major, Op. 64, n. 3
    Waltz in A flat major, Op. 69, n. 1
    Waltz in B minor, Op. 69, n. 2

Four Sonatas . . . . . . . . . . . . . . . .Domenico Cimarosa
    Sonata n. 47 in A major                       (1749-1801)
    Sonata n. 68 in C minor
    Sonata n. 44 in Eb major
    Sonata n. 73 in A major

18 Songs . . . . . . . . . . . . . . . . . . .George Gershwin
    The Man I Love                                (1898-1937)
    Swanee
    Nobody But You
    I’ll Build a Stairway To Paradise
    Do It Again
    Fascinating Rhythm
    Oh, Lady Be Good
    Somebody Loves Me
    Sweet And Low Down
    Clap Yo’ Hands
    Do Do Do
    My One And Only
    ‘S Wonderful – Strike Up The Band
    I Got Rhythm – Who Cares?
    That Certain Feeling
    Liza

Lupis, piano

FMU Concert Band Concert
Tuesday, 22 February 2011
Chapman Auditorium, McNair Science Bldg, 7:30 pm

FMU Concert Band
Kelly Jokisch, conductor

The Concert Band rehearses on Tuesday evenings and is open to adult participation.  This is the fourth year we have performed in this format.  The membership is almost evenly divided between FMU students and community participants.  We are always seeking additional participants; if you play a band instrument or know someone looking for a place to play, please contact us.  Information can be found at Music - Instrumental Program or email Dr. Roberts at troberts@fmarion.edu.


Wind Symphony



Balkan QuartetFMU Artist Series
Thursday, 3 March 2011, 7:30 pm
Kassab Recital Hall, Hyman Fine Arts Center

Balkan Quartet

The Balkans have historically been a rich crossroads between the varied surrounding cultures and served as inspiration for compositional genius.

This ensemble played at FMU once before en route to their very well received debut at the Kennedy Center. You can get the merest taste of this group’s ability from the Kennedy Center’s recording of that concert, but you really must hear them live to appreciate the warmth of their sound in an intimate recital setting!
 
You are sure to enjoy hearing a truly spectacular young string quartet performing a wonderfully varied program.


Four established chamber and solo musicians joined together and developed into Balkan Quartet - a dynamic and inspirative string group.

Serbian violinists Sinisa Ciric, Mirna Ogrizovic-Ciric, violist Danijela Zezelj-Gualdi and Bulgarian cellist Martin Gueorguiev started their collaborations as section leaders of the Gwinnett Ballet Orchestra in Atlanta, Georgia, often playing as a representative quartet for this institution.

"We were fitting well together on a music and personal level" explains Ms. Danijela Zezelj-Gualdi. "In our playing together, I could feel the same energy and understanding that comes from our mutual background" adds Ms. Mirna Ciric.

The idea to form a group that would revive the powerful and the unique Balkan ethno sound started early among these four friends.

"Eventually, we want to expand our sound," says Mr. Sinisa Ciric, "and involve different guest artists on instruments such as voice, percussion, clarinet and brass instruments."

Balkan Quartet plays music by talented contemporary composers;

Aleksandra Vrebalov, the winner of the American Academy of Arts and Letters Charles Ives Fellowship, 2007, look for more info at:  http://www.southoxfordsix.org/WhoWeAre/WhoWeAre/Aleksandra.html

Also Aleksandar Gajic, Milos Simic, Brian Mitchell, Konstantin Blagojevic, and merges it with classical string quartet repertoire by composers Martinu and Glasunov.

Their focus is to involve and inspire composers to create new music that would use a language reminding and reviving the Balkan rich folk heritage on a highly artistic level.

Balkan Quartet is a quartet in residence at Georgia Perimeter College in Atlanta, GA.


The Balkans have historically been a rich crossroads between the varied surrounding cultures and served as inspiration for compositional genius.

This ensemble played at FMU before en route to their very well received debut at the Kennedy Center. You can get the merest taste of this group’s ability from the Kennedy Center’s recording at http://www.kennedy-center.org/explorer/artists/?entity_id=55863&source_type=B but you really must hear them live to appreciate the warmth of their sound in an intimate recital setting!

The program is free to faculty, students and community, no reservations, just come and enjoy hearing a truly spectacular young string quartet performing a wonderfully varied program by composers, many of whose names I would not try to pronounce on a dare :-]

PROGRAM

Rumanian Folk Dances . . . . . . . . . . . Béla Bartók

Selections from “Armenian Folk Songs” . . arr. Komitas

Opelo . . . . . . . . . . . . . . . . Stevan Mokranjac

Dresden . . . . . . . . . . . . . . .  Alexander Simic

Sevdah Tango . . . . . . . . . . . . . . . Milos Simic

Elegy and Dance . . . . . . . . . . . . . Zvonimir Tot

Hotland . . . . . . . . . . . . . . . Aleksandar Gajic

Gypsy Song . . . . . . . . . . . . .arr. Marko Aleksin

Karamfil . . . . . . . . . . . . . . . . Martha Bishop

Folk Suite . . . . . . . Sinisa Ciric/Kosta Blagojevic

Just for Wonder . . . . . . . . . . . Aleksandar Gajic



FMU Fine Arts Chamber Recital Series
Thursday, 24 March 2011
Kassab Recital Hall, Hyman Fine Arts Center, 7:30 pm


Hyunjung Chung, piano

Born in South Korea, pianist Hyunjung "Rachel" Chung has actively performed as a recitalist, concerto soloist and chamber musician in Italy, France, Thailand, Canada, Korea and throughout the U.S. She has distinguished herself in several competitions including the 27th Artist International New York Debut Audition, Milosz Magin International Piano Competition, and International Web Concert Hall Competition.
 
After presenting her New York recital debut at the Carnegie's Weill Recital Hall in 1996, Chung has appeared in various concert venues, and has been invited to perform and present lectures in the Grumo Festival in Italy, Arioso Musica Domani International Composition Competition, Blue Lake Summer Arts Festival, Hawaii International Conference for Arts and Humanities, College Music Society International Conference, and Van Cliburn Piano Institute … to name a few.
 
Her unique programs exhibit her strong commitment to promote new music written by living composers and rarely heard music by known composers. As an acclaimed collaborate artist, she has worked with many established instrumentalists, and served as an accompanist and orchestra pianist for the Delaware Valley Opera Company and Hudson Opera Theater in New York. As an active music educator, she has adjudicated numerous competitions and auditions including 2008 World Pianovision Competition in Dallas, ACT-SO, and National Federation of Music Clubs Audition.
 
She is Assistant Professor at Spelman College in Atlanta. Chung holds her Bachelor degree from Seoul National University, her Master of Music degree and Professional Study Diploma from the Mannes College of Music, and her Doctor of Musical Arts degree in Piano Performance from Rutgers, the State University of New Jersey. Her principal teachers include Dr. Arkady Aronov, Theodore Lettvin, and Susan Starr.


Chaconne in D minor from Bach's Partita No. 2, BWV 1004..........F. Busoni
                                                               (1866-1924)

Sonata in A major D. 664.......................................F. Schubert
    Allegro Moderato                                           (1797-1828)
    Andante
    Allegro

Paraphrase on a Waltz from Gounod's Faust S. 407..................F. Liszt
                                                               (1811-1886)

8 Variations, One Crazy, on "Ah! Vous dirai-je, Maman!" (2010)....G. Lupis
                                                                    (1968)

Rachel Chung


FMU Fine Arts Guest Recital Series
Thursday, 31 March 2011

Kassab Recital Hall, Hyman Fine Arts Center, 7:30 pm


Mary Louise Nagata, violin and viola
Benjamin Woods, piano

Mary Louise Nagata began her musical career as a teacher trainee in the Suzuki Method pedagogy under Shin’ichi Suzuki in Matsumoto, Japan where she graduated with a teaching certificate in the method.  Since then she has taught violin and performed as a freelance artist both solo and in ensembles on violin, viola, flute, koto, shamisen and voice in Japan, Switzerland, Sweden, Italy, Spain and the USA.  She has played with the Florence Symphony on violin and viola since her arrival in Florence in 2005 and currently serves as principal viola.  She also regularly plays with Masterworks, the Firenzi Quartette, the Francis Marion String Ensemble and various other groups in the Pee Dee region including a monthly recital on violin and viola for The Carolinian.  She also performed a recital lecture on the koto in Fall 2006.
 
Mary Louise Nagata is Associate Professor of Asian History in the History Department at Francis Marion University and performs in two Japanese musical traditions as well as on violin and viola.

Benjamin Woods has given numerous solo piano concerts across the country, including Coolidge Auditorium of the Library of Congress, and Carnegie Recital Hall in New York City where he made his debut in 1985. As pianist, he has presented many faculty recitals at Francis Marion University, chamber music and solo concerts at numerous other colleges and universities, and performances at community concert series and festivals. He has performed as guest soloist with the Florence Symphony Orchestra, Florence SC, and with the Florence Masterworks Chorus and Orchestra. He has performed with conductor John Paul and members of the Mississippi Symphony Orchestra, Jackson Mississippi, and with Nicholas Smith and the South Carolina Philharmonic Orchestra. He was selected one of twelve national finalists in the U.S. Information Agency's Artistic Ambassador Competition, and one of ten finalists in the Beethoven International Piano Competition.  Former conductor of the Florence Symphony Orchestra, and presently a professor emeritus of music at Francis Marion University in Florence, SC, Benjamin Woods received the dual distinctions  of being named one of Francis Marion University's Board of Trustees' Research Scholars, and receiving the J. Lorin Mason Distinguished Professor Award.

M L Nagata

Community Festival
Saturday, 9 April 2011, 10 am - 6 pm
Francis Marion University Campus

Art's International Festival

Arts International Logo

Arts International combines resources from the Art's Alive! and International Festivals that have been held for many years at Francis Marion University.  It will be an all-day celebration of regional as well as international performing and visual arts, and vendors will showcase foods from many cultures.

The festival features a wide variety of cultural displays, dance, music, theatrical performances, and song. Performances are scheduled on five stages (indoors and outdoors) with events changing hourly, and in the visual arts, the emphasis has been on demonstration of the creative process.

Of course, visitors may sample foods from around the world!

This one-day exhibition and sales event is designed to promote the quality of the diverse cultures, performers and artisans residing in our region.


Arts International

Sidewalk Art
Sidewalk Art Competition at Arts Internation



FMU Department of Fine Arts
Thursday, 14 April 2011
Chapman Auditorium, McNair Science Bldg, 7:30 pm

University Jazz Express
Chris Boerner Trio, guest artists
Gregg Gelb, conductor


The Jazz Express is a chamber jazz ensemble devoted to the development of individual improvisation skills through the preparation and performance of literature for small jazz groups representing a variety of jazz styles and periods.  Contact Gregg Gelb 843.661.1540 for additional information about participating in the Jazz Express.

Chris
                  Boerner 8-string guitar

Born in Durham, NC and raised in Raleigh, NC, Chris Boerner took to music as a young lad picking up the saxophone at age 8. A few years later he traded in that saxophone for a guitar and found his true calling. Starting out playing in rock’n'roll bands in middle and highschool this soon led to more serious study of the guitar in college. At Duke University Chris graduated with a music major concentrating in Jazz and Classical Guitar.

It didn’t take long from then for Chris to become a vibrant member of the Triangle music scene. After a few years playing mostly jazz gigs he turned his focus to original music. He became a founding member of the jazz-hip-hop collective, The Mighty Burners, who released their debut Hot Ones Now in 2004. Working with this band led to a love of recording and producing. Since, he has recorded and produced for nearly every band he’s played with. In 2005 Chris released his debut as a bandleader, the jazz instrument album, Incoming. Since then he has recorded and toured with many Triangle-based bands including The Proclivities, Mosadi Music, Who’s Bad, Jeanne Jolly, The Small Ponds, and more recently The Foreign Exchange.

Currently Chris continues to hone his craft as a player, composer, recording engineer and producer. In 2010, he picked up the 8-string guitar and quickly started a new group, The Hot at Nights, with good friends Nick Baglio and Matt Douglas.

.


4:00-5:00 pm
Jazz Master Class with Chris Boerner Trio

FREE MASTER CLASS with The CHRIS BOERNER TRIO.

Open to all FMU students and all students in area public and private schools.

Chris Boerner - 8 string electric guitar
Matt Douglas - saxophone
Nick Baglio - drums

Chris's group recently returned from a European tour to their home base in Durham, NC. They play an innovative blend of jazz and rock.

Master Class Attendees should bring instruments to the master class and you will get a chance to play for these fine guest artists.



FMU Department of Fine Arts
Friday, 15 April 2011
Kassab Hall, Hyman Fine Arts Center, 7:30 pm

University String Ensemble
with guest artist Daniel Hull, guitar
Terry Roberts, director


Open to all university students and faculty interested in learning and performing chamber music, the University String Ensemble members meet for weekly rehearsals during Fall and Spring academic semesters, giving public recitals and accompanying other campus ensembles.


FMU Department of Fine Arts
Sunday, 17 April 2011
Kassab Hall, Hyman Fine Arts Center, 3:00 pm

Francis Marion University Concert Choir
Cut Time Show Choir
Sue Butler Orr, director


Open to all university students, the University Concert Choir has an average enrollment of between 35 and 45 students.  This group has sung in numerous area churches and has also performed with the Florence Symphony Orchestra.  They have performed such major choral works as the “Polovetzian Dance and Chorus” of Alexander Borodin, the “Schicksalslied” of Johannes Brahms, and the Ninth Symphony of Ludwig van Beethoven.  Recently their concerts have included selections accompanied by the newly formed Francis Marion string ensemble.

Francis Marion’s show choir, CUT TIME is an audition-only group which combines singing and choreography.  This group performs throughout the region for schools and service organizations.  In the fall of 1996 they traveled to Lake City and Charleston, singing in 5 high schools.  In October of 1997 they sang at Cosmic Ray’s Starlight Café in the Magic Kingdom at Disney World in Orlando.  In 1998 they traveled to Baltimore, Maryland, in Washington, D.C. and in Vienna, Austria.  In April of 2002, they returned to Disney World and Cosmic Ray’s Starlight Café.  Spring of 2003 included a performance cruise to the Bahamas.
show choir


FMU Concert Band Concert
Tuesday, 19 April 2011
Chapman Auditorium, McNair Science Bldg, 7:30 pm

FMU Concert Band
Kelly Jokisch, conductor

The Concert Band rehearses on Tuesday evenings and is open to adult participation.  This is the fourth year we have performed in this format.  The membership is almost evenly divided between FMU students and community participants.  We are always seeking additional participants; if you play a band instrument or know someone looking for a place to play, please contact us.  Information can be found at Music - Instrumental Program or email Dr. Roberts at troberts@fmarion.edu.
Dr. Roberts directs
Dr. Terry Roberts, conductor



Ciric, violinFMU Fine Arts Chamber Recital Series
Thursday, 21 April 2011
Kassab Recital Hall, Hyman Fine Arts Center, 7:30 pm


Sinisa Ciric, violin
Paolo André Gualdi, piano

Sinisa Ciric received his undergraduate degree from the Academy of Arts, University of Novi Sad (Yugoslavia) and master degree from University of Georgia. He is currently pursuing DMA degree in violin and viola performance at University of Georgia in Athens studying with world renowned professor Levon Ambartsumian (student of Kogan and Yankelevich) and Dr. Mark Neumann respectively.

Sinisa is concertmaster of New Atlanta Philharmonic, Gwinnett Ballet Orchestra and Rome Symphony, GA. He appeared as a soloist with New Atlanta Philharmonic, Rome Symphony Orchestra and Georgia Philharmonic as well as Bach Festival Orchestra, GA.

As a member of ARCO Chamber Orchestra Mr. Ciric performed in Carnegie Hall and was featured as soloist on ARCO’s most recent recording of Vivaldi’s concertos for two, three and four violins.

He can also be heard on several CD recordings of New Trinity Baroque as violinist and violist.

Prior to coming to USA his orchestral experience involves Belgrade Philharmonic Orchestra (Yugoslavia), the Symphonic Orchestra of the Radio-Television of Serbia, the Orchestra of the National Theatre, ensemble Camerata Academica and the Opera Orchestra of the Serbian National Theatre in Novi Sad. Sinisa participated on many concerts as a soloist, member of chamber ensemble, member of an orchestra, etc. He attended master classes with William Preucil and Jean-Marc Vajerbedian. While performing with the Symphonic Orchestra of Serbian Radio Television, he cooperated with many national and international conductors, such as Zubin Mehta, Christian Mandeal, Gyula Nemet, Milen Nachev, Mikis Teodorakis, Christian Badea and many others.

Sinisa is Artist Affiliate at Emory University and teaches violin, viola and chamber music at Oxford College of Emory University.


violin and piano
                        imageItalian pianist Paolo André Gualdi has played recitals in Italy and the United States, both as a soloist and chamber musician. He has been a featured soloist with the Atlanta Philharmonic, Georgia Philharmonic, Ludwig Symphony, Parma Wind Orchestra, Warren Civic Orchestra, and the University of Georgia Symphony Orchestra. In Italy he has given recitals for the A.Gi.Mus., Accademia Ori, Accademia Amadeus and others. He has also performed for the International Piano Series of Charleston, American Liszt Society, Piccolo Spoleto Festival USA, Cincinnati Conservatory, and Eastman School of Music in Rochester.

Gualdi began studying piano with his father at the age of five, and continued at the Conservatory of Santa Cecilia in Rome, Italy. He earned his Piano Diploma with highest honours at the Conservatory Arrigo Boito in Parma with Roberto Cappello. While in the US, he earned a Masters Degree in Piano Performance at Carnegie Mellon University under the tutelage of Enrique Graf, and a Doctorate of Musical Arts in piano performance at the University of Georgia with Evgeny Rivkin. He participated in master classes with György Sandor, Earl Wild, Menahem Pressler, Sergio Perticaroli, and had several years of private studies with Carlo Maria Dominici.

He has won the top prize in numerous piano competitions, including the European Competition of Ostuni, the Altruda National Competition of Vasto and the Françoise Grimaldi National Competition of San Polo. Winning the “De Martino Award” at the Ibla International Piano Competition enabled him to study at Elon University. During this period he won the First Prize in the Southeastern Piano Competition of Whiteville, North Carolina, and the 15th Bartók-Kabalevsky International Competition in Virginia.

Gualdi has served on the faculties of Elon University, Emmanuel College, Oxford College of Emory University, and is currently Assistant Professor of Music at Francis Marion University.


Sonata for violin and piano no. 1 in A major.............G. F. Handel
     I.   Adagio cantabile
   
II.   Allegro deciso
  
III.   Largo assai
   
IV.   Allegro (giga)

Sonata for violin and piano in A major...................César Franck
    
I.   Allegretto ben moderato
   
II.   Allegro
  
III.   Recitativo-fantasia. Ben moderato
   
IV.   Allegretto poco mosso

Liebeslied (Love’s Sorrow).............................Fritz Kreisler

Csardas................................................Vittorio Monti




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