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Department of Fine Arts
Performing Arts Highlights 2005-2006


Dr. Benjamin Woods
FMU First Tuesday Chamber Music Series
Tuesday, 6 September 2005
Kassab Hall, Hyman Fine Arts Center, 1:00 & 8:00 pm

Recital by Benjamin Woods, piano
Beethoven sonatas "Appasionata" op. 57 and "Waldstein" op. 53


The first performance on the 2005-2006 cultural events calendar sponsored by the Department of Fine Arts will be a First Tuesday Chamber Music Recital by pianist Dr. Benjamin Woods in Kassab Recital Hall.  The Kassab concert grand piano is being used for its first performance in this recital since having had extensive renovations this summer at Rice Music House in Columbia.  A formal rededication ceremony is being planned for later in the academic year.

Whenever the University calendar permits, the first Tuesday of each month is designated to showcase the arts on campus.  In September, Dr. Woods' recital will act to highlight the art gallery series exhibitions.

Benjamin Woods has given numerous solo piano concerts across the country, including Coolidge Auditorium of the Library of Congress, and Carnegie Recital Hall in New York City where he made his d‚but in 1985. As pianist, he has presented many faculty recitals at Francis Marion University, chamber music and solo concerts at numerous other colleges and universities, and performances at community concert series and festivals. He has performed as guest soloist with the Florence Symphony Orchestra, Florence SC, in concertos of Brahms, Beethoven, Tchaikovsky, Dohnanyi and Gershwin. He has performed the Beethoven Choral Fantasy with the Florence Masterworks Chorus and Orchestra. He has performed Beethoven concertos nos. 3, 4, and 5 with conductor John Paul and members of the Mississippi Symphony Orchestra, Jackson Mississippi. With the South Carolina Philharmonic, he has performed the Mozart Piano Concerto no. 23. He was selected one of twelve national finalists in the U.S. Information Agency's Artistic Ambassador Competition, and one of ten finalists in the Beethoven International Piano Competition.

Besides performing in the Woods Family Ensemble with his wife Sherry Woods, violist, and their children Christopher Woods, violinist, and Adrienne Woods, cellist, he has collaborated in recital with the Firenze String Quartet, and with artists Sue Butler Mills, soprano, Roland LeRoy Skinner, bassoonist, and, William Mills, pianist. He has also given concerts with Kathleen Vandekieft, Metropolitan Opera soprano finalist, Harold Jones, concert flutist, and Steve Maxym, principal bassoonist with the Metropolitan Opera Orchestra.

Benjamin Woods has conducted concerts of the Francis Marion College Chorus, the Florence Choral Society, and the Florence Masterworks Choir and Orchestra. Having served as Music Director/Conductor of the Florence Symphony Orchestra from 1996 to 2002, he recently retired from this post to devote all his energies to piano performance. Besides great symphonic literature, he has conducted the Florence Symphony in concertos and vocal works with artists such as Robert Jesselson and Kenneth Law, cellists, David Kim, violinist, Kathleen Vandekieft and Sue Orr, sopranos, Michael Best, tenor, Walter Hautzig, Raymond Dudley, Dana Dixon, and Michael Kim, pianists, and the Eroica Trio.

Presently a professor of music at Francis Marion University in Florence, SC, Benjamin Woods has recently received the distinction of being named one of Francis Marion University's Board of Trustees' Research Scholars. This designation recognizes his outstanding scholarly achievements in music performance, and the promise of continued scholarly activity in the future. He earned the BS degree in performance and education as a scholarship student from Lamar University in Beaumont, Texas. As a Graduate Fellowship recipient, he received the Master of Music degree in performance from Midwestern University in Wichita Falls, Texas. He received the Doctor of Musical Arts degree from the University of South Carolina, studying with Raymond Dudley, Artist-in-Residence. His other teachers and coaches include such outstanding musicians as Melissa Bayard, Verlie Mitchell, Martha Craft, Hubert Kaszynski, Ivy Boland, and concert pianists Eugene List, Beveridge Webster and Walter Hautzig.

Sherry Woods, viola

FMU First Tuesday Chamber Music Series
Tuesday, 4 October 2005
Kassab Hall, Hyman Fine Arts Center, 1:00 pm & 8:00 pm

Woods Duo: Sherry Woods, violist, with Benjamin Woods, pianist
Hindemith and Brahms sonatas for viola and piano

SHERRY WOODS has distinguished herself in the areas of concert and chamber viola performance, violin and viola teaching, and music composition. She was associated with the Florence Symphony for 32 years as principal violist, and is a member of the South Carolina Philharmonic, the Firenze Quartet, the Woods Family Quartet, and the Woods Duo. Many of Dr. Woods violin and viola students have won scholarships to festivals and universities preparing for musical careers.

Sherry Woods is a magna cum laude graduate of Southern Methodist University. She was the first person to be awarded a Masters degree on a string instrument from the University of South Carolina, subsequently attaining a Doctorate in Performance and another Doctorate in Composition. She was named a South Carolina Arts Commission Touring Artist for 2003-2005, and several times earlier.

In the area of composition, Dr. Woods has produced a number of significant commissioned works that have been performed in recitals and in concerts from New York City to Taiwan. Some of these works were commissioned by the Florence Symphony, the Firenze Quartet, the Florence Public School District No 1, the Lowcounty Historical Society, and the South Carolina Philharmonic Orchestra. Her Wisdom Fanfare was recorded by the Kiev Philharmonic Orchestra (Russia) in February 2005 for Volume Six of Masterworks of a New Era, a ten CD series produced by ERM Media.

Dr. Woods has won numerous prizes for her compositions including the University of South Carolina Saxophone Composition Contest with her work, Lament for Lost Infants for saxophone quartet; the work was awarded a performance by the Vienna Saxophone Quartet. Her choral work, Sapphic Songs for women's chorus, won fourth prize in the Denver Women's Chorus National Competition. In the International Alliance of Women Composition Contest, she won the Marion Gideon First Prize for her song cycle, Of Rivers and Trees. Woods spent June 2005 as artist-in-residence at the Julia and David White Artist Colony in Costa Rica and was artist-in-residence in August at Wildacres in North Carolina. She is currently working on a string quartet for the Ciompi Quartet of Duke University which will be premiered at the North Carolina Museum of Art in January 2006.

BENJAMIN WOODS has given numerous solo piano concerts across the country, including Coolidge Auditorium of the Library of Congress, and Carnegie Recital Hall in New York City where he made his debut in 1985. As pianist, he has presented many faculty recitals at Francis Marion University, chamber music and solo concerts at numerous other colleges and universities, and performances at community concert series and festivals. He was selected one of twelve national finalists in the U.S. Information Agency's Artistic Ambassador Competition, and one of ten finalists in the Beethoven International Piano Competition.

Benjamin Woods has conducted concerts of the Francis Marion College Chorus, the Florence Choral Society, and the Florence Masterworks Choir and Orchestra. Having served as Music Director/ Conductor of the Florence Symphony Orchestra from 1996 to 2002, he recently retired from this post to devote all his energies to solo and chamber piano performance. Presently a professor of music at Francis Marion University in Florence, SC, Benjamin Woods has recently received the distinction of being named one of Francis Marion University's Board of Trustees' Research Scholars as a result of his musical performance achievements.

THE WOODS DUO provides an evening of outstanding musical entertainment with viola/piano and solo piano literature. Programs range from traditional music of the great masters to music of our time. The Duo has performed on educational radio and television, in addition to solo and chamber music concerts across the country.


Sharyn EdwardsGuest Artist Recital
Thursday, 6 October 2005
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

Sharyn R. Edwards, pianist
Works for piano by Mozart, Liszt and Debussy


Pianist Sharyn Edwards has concertized extensively throughout the Carolinas and southeastern United States in solo and chamber music recitals. She has appeared as soloist with the Charlotte Symphony, Charlotte Repertory Orchestra, Charleston Symphony, Fayetteville and Wilmington Symphony Orchestras. During 1989-91 she was a Touring Artist with the North Carolina Touring Artists Roster. In 1999 she made her New York debut at Weill Hall, Carnegie Hall and her first CD was also released on the Musikus label featuring piano selections by Scarlatti, Haydn, Debussy, Liszt and Schumann.

The recipient of music awards and music scholarships, Dr. Edwards is a native of Asheville, North Carolina where her formative piano training was with Dorothy Krauss. She holds the Doctorate of Music Degree in Piano Performance from the University of South Carolina where she studied with John Adams and the renowned Raymond Dudley, and she was elected to Pi Kappa Lamda Honor Society by the School of Music. She earned the Master of Music Degree in Piano Performance from the University of Kentucky where she was a student of James Bonn, and the Bachelor of Music Degree in Piano Performance as a student of Dr. John P. Adams at Mars Hill College. Coaching experience with John Quincy Bass at the Cincinnati Conservatory, Madame Lili Krauss, Menahem Pressler and Seymour Fink has greatly enhanced her talents as a clinician-adjudicator, of which she has been in frequent demand by the North Carolina Music Teachers Association. Her students have been prize winners in numerous piano competitions. In 2002 she was appointed to the Who's Who of the Most Outstanding Teachers' roster in America. Dr. Edwards has also served as organist/choir director in various churches. Presently, she is the coordinator of the Music Department at Southeastern Community College in Whiteville, North Carolina, and is the Director of Southeastern Community College's Annual Piano Festival and Competition.

Dr. Edwards toured in Russia in May of 2001 where she performed at the Grand Palace, the Rimsky-Korsakov Conservatory in St. Petersburg, and the Igor Stravinsky School of Art and Music in Lomonosov.


FMU Artist Series Concert
Monday, 24 October 2005
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

Jacques Thibaud String Trio

Prize-winners in the prestigious 1999 Bonn Chamber Music Competition, the Jacques Thibaud String Trio was founded at the Berlin School of Art in 1994. Since then, the ensemble has performed throughout Europe, Japan and over 40 States of the U.S., receiving tremendous acclaim from audiences and critics alike.

Calling their playing "spontaneous and commanding," the New York Times said, "this could be the first string trio in some time to have a major career."
With their charm, youthful exuberance and astounding virtuosity, the Trio has delighted audiences of all ages in large and small venues. In the U.S., they have appeared at Lincoln Center’s Alice Tully Hall, New York City’s Frick Collection (twice), Washington DC’s National Gallery, hundreds of other venues including Stanford University, the Caramoor Festival, the Cleveland Museum of Art, and cities including Boston, Los Angeles, Chicago, Pittsburgh, San Francisco, San Diego, Milwaukee, Houston, Dallas, San Antonio, Memphis, Indianapolis, Phoenix, Tucson, Salt Lake City and Honolulu. As Ensemble-in-Residence at the 2001 Florida International Festival, they drew an audience of over two thousand to their final concert. They have also given successful residencies in a settings ranging from conservatories to music camps to an Indian reservation in Arizona.

Internationally, the Trio has appeared at London’s Wigmore Hall, throughout Germany, in major Japanese cities on several tours, and at some of Europe’s most prestigious festivals including Belgium’s Musica Mundi (three return invitations) and Gidon Kremer’s Echternach Festival in Luxembourg.

Recent activities include UCLA's prestigious Schoenberg Hall series (performing Schubert's "Trout" and the Hummel Quintets with musical colleagues from Japan and Brazil), New York City, Chicago, Princeton University, Washington D.C. (televised and broadcast on radio worldwide by Voice of America), several tours with flutist Eugenia Zukerman, and breaking the venerable Music Mountain Festival's long-standing "string quartets only" policy, receiving an immediate return invitation!


FMU Wind Symphony Concert
Tuesday, 25 October 2005
McNair Science Building Auditorium, 8:00 pm

University Wind Symphony
Dr. Terry Roberts, conductor

The Wind Symphony rehearses on Tuesday evenings and is open to adult participation.  This is the fourth year we have performed in this format.  As you can see from the personnel roster, the membership is evenly divided between FMU students and community participants.  We are always seeking additional participants; if you play a band instrument or know someone looking for a place to play, please contact us.  Information can be found at http://web.fmarion.edu/~finearts/windband.htm or email Dr. Roberts at troberts@fmarion.edu.


The University Theatre
Thursday-Saturday, 27-29 October 2005
Hyman Fine Arts Center Theatre, 8:00 pm

Romeo and Juliet by William Shakespeare

The Francis Marion University Theatre will begin its 2005-2006 season with William Shakespeare's Romeo and Juliet.
Reservations for Romeo and Juliet may be made beginning October 17 by calling the box office at 661-1365. The box office will be open to reserve seats Monday through Friday from 1 pm to 5 pm.  All tickets are free to the public.



FMU First Tuesday Chamber Music Series
Tuesday, 1 November 2005
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

Florence Symphony Winds Woodwind Octet

Kristin Slaugenhaupt (flute) graduated from the University of Nevada, Reno in 1988 with 2 degrees: BS in Business Finance and BA in Music Performance.  Mrs. Slaugenhaupt has been teaching privately and performing professionally for 22 years.  While in Nevada, she was president of the Sierra Flute Society, a non-profit flute performance-and-educational organization reaching throughout northern Nevada and northeastern California.  She has served as principal flute for the Ruby Mountain Symphony, Sierra Master Works Chamber Orchestra, member of the Florence Symphony Orchestra, Florence Symphony Winds Octet, has performed with the South Carolina Philharmonic, and serves as a freelance soloist throughout South Carolina communities.  She was also the music director for K-12 at Ruby Mountain Christian School and is currently the Youth Choirs Director at Church at Sandhurst.  Currently, she is the head of Zefiro Trio, a professional flute trio here in Florence.

Margaret Jones (flute) received her degree in Microbiology from Clemson University and worked in that field until having children.  Mrs. Jones currently plays in the Florence Symphony Orchestra and is a member of the Zefiro Flute Trio.  She enjoys playing the flute in area churches and at community events.  She greatly appreciates the support from her husband Wendell, and children Caroline, Palmer, and William.

Peter Fichte (clarinet) is Professor of Chemistry at Coker College.  Dr. Fichte is currently principal clarinetist in the Florence Symphony.  Prior to his coming to South Carolina, he played in orchestras and various chamber music groups in Vermont, Maine, and Connecticut.  He has been a soloist with the FSO in concertos by Mozart and Weber, and has participated in other chamber music groups in the Pee Dee region of the state.

Christine Fisher (clarinet) received her undergraduate degree from UNC - Pembroke and later earned her masters from the University of South Carolina in music education. Mrs. Fisher has been a member of the Florence Symphony Orchestra for the past 25 years. She taught music at Southside Middle School, in Florence South Carolina for 18 years. She was selected as the 1998 South Carolina Teacher of the Year; representing 47,000 public school teachers in South Carolina.  She is the only arts teacher to be selected in the 46-year history of the Teacher of the Year program in South Carolina. Christine became Director of the Arts in Basic Curriculum Project, housed at Winthrop University in July 2001 and works with schools and districts all over the state to maintain and expand arts opportunities for students. She is truly blessed to be married to Tim Fisher.

John Goshen (french horn) graduated in 1970, from Broadmoor High School, Baton Rouge, La.  He was first chair of his high school orchestra from 1967-1970.    His other musical experiences included first chair, All Parish Band 1969 and 1970, first chair All State Band in 1969, Columbia Community Concert Band, 1984- 1997.  He has participated in musical activities at First Baptist Church in Hartsville, the Columbia SC Orchestra from 1987 to 1997, the Los Alamos Symphony Orchestra, 1997 - 2000, the Santa Fe, NM, Community Band 1998 - 2000, the Rockville, MD, Community Band 2000-2002, the Olney, MD, Community Band 2001- 2002 and the Florence Symphony Orchestra, 2003- present.  He studied horn with Richard Norem, Professor of Horn at LS, 1966-1969 and 1972, and with Robert Pruzin, Professor of Horn at USC, 1981-1983.  His professional degrees include a B. S. in General Studies from LSU, 1974, and a B. S.  in Mechanical Engineering from USC, 1983.  He is currently Project Engineer at BAE Systems in Charleston, SC.  He is married to Jeanne Buckley (for 34 years) and has two children and six grandsons.

Kimberly Starling (french horn) is a native of Cheraw, SC and is currently residing in Florence in order to complete her senior year at FMU to earn her Bachelors of Science degree in Psychology.  She is a member of the Florence Symphony Orchestra, and has participated in the FMU Jazz Express and Wind Symphony as well. She also enjoys playing in local church ensembles, such as Florence First Baptist Church Orchestra, as well as her hometown church, First United Methodist of Cheraw. She appreciates all of the support she has received over the years from her parents, Ronnie and Martha, as well as from her boyfriend Austin, and hopes to continue her musical career following graduation.

Roy Skinner (bassoon) had a colorful career as a jazz saxophonist, and was drafted by Dr. Gordon Bobbett to play bassoon in the Florence Symphony while serving at McLeod Hospital as a young medical intern in 1955.  Dr. Skinner has been principal bassoonist with the FSO ever since, frequently performing solo concertos with the orchestra.  He founded and performs with various groupings of the Florence Symphony Winds.  He also has performed with other chamber music groups.  An avid opera lover, he has written and performed a number of opera transcriptions on the bassoon.  He co-founded the Jeter-Skinner Family Practice in 1958, and practiced medicine full time with the group until his retirement several years ago.  He was one of the original organizers and performers of the First Tuesday Chamber Recital Series, and has performed in the series nearly every year since its inception.

M. Gilliam Skinner (bassoon) is a local Family Physician.  Dr. Skinner began his musical education watching his father perform with the Florence Symphony Orchestra. He learned the alto saxophone under Alan Perry, and then studied bassoon with his father, R. L. Skinner.  He joined the Florence Symphony Orchestra in 1973 and continued with them until he matriculated at Davidson College. He was principal bassoon with the Davidson Woodwind Ensemble. Upon completion of his medical studies, he returned to Florence where he has continued to enjoy performing with local church groups and as second chair bassoon in the Florence Symphony Orchestra.

Octet for 2 Oboes, 2 Clarinets, 2 Horns,. . . . . . . . . . . . . . . Franz Joseph Haydn
and 2 Bassoons in F Major revised by Waldo Lyman
Allegro Moderato
Andante con Variazioni
Menuetto, Trio I, Trio II
Finale: Allegro

Serenade No. 11 for 2 Horns, 2 Oboes, . . . . . . . . . . . . . . . . . . . W. A. Mozart
2 Clarinets, and 2 Bassoons in E-flat Major (K. 375)
Allegro maestoso
Menuetto, Trio
Adagio
Menuetto, Trio
Allegro

Pastoral for Woodwind Quintet, Op. 21 . . . . . . . . . . . . . . . .Vincent Persichetti
Moderato
Meno mosso
Andante
Lento
Moderato

Oktett für 2 Oboen, 2 Klarinetten, 2 Hörner . . . . . . . . . . . . . . . . L. Beethoven
und 2 Fagotte, Op. 103
First Movement/Allegro


FMU Jazz ExpressFMU Department of Fine Arts
Thursday, 17 November 2005
McNair Science Building Auditorium, 8:00 pm

University Jazz Express
Craig Alberty, conductor

The University Jazz Express provides FMU students with an opportunity to explore the jazz repertoire in both big band and improvisational ensembles.  Contact Dr. Terry Roberts 843.661.1681 for additional information about participating in the Jazz Express.





FMU Department of Fine Arts
Thursday, 1 December 2005
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

Cut Time Show Choir
Sue Butler Orr, director


Francis Marion’s show choir, CUT TIME is an audition-only group which combines singing and choreography.  This group performs throughout the region for schools and service organizations.  In the fall of 1996 they traveled to Lake City and Charleston, singing in 5 high schools.  In October of 1997 they sang at Cosmic Ray’s Starlight Café in the Magic Kingdom at Disney World in Orlando.  In 1998 they traveled to Baltimore, Maryland, in Washington, D.C. and in Vienna, Austria.  In April of 2002, they returned to Disney World and Cosmic Ray’s Starlight Café.  Spring of 2003 included a performance cruise to the Bahamas.

                                        PROGRAM

We're Gonna Put On A Show Jay Althouse

Don't Get Around Much Anymore Jay Althouse

What Makes Me Love Him? (from "The Apple Tree") Sheldon Harnick and Jerry Bock
Amber Wilks

One Fine Day Arr. Mac Huff

Solo
Zac Calcutt

Take Good Care Of My Baby Arr. Alan Billingsley
Matt Brown, solo

Solo
Maria Fogle

Once Upon A December Arr. Carl Strommen

A Whole New World A. Menken and T. Rice
Amber Wilks and Kyle Brazell

You've Got A Friend In Me Arr. Mac Huff

Hound Dog (from "Smokey Joe's Caf‚")
Brittney Sherman

Our Love Is Here To Stay George Gershwin
Jason Jones

Let It Be Me Arr. Jeff Funk

Solo
Danielle Hodge

Let's Do It (Let's Fall In Love) Cole Porter

We're Gonna Put On A Show! (Reprise)


FMU Department of Fine Arts
Sunday, 2 December 2005
Kassab Hall, Hyman Fine Arts Center, 3:00 pm

University String Ensemble
Dr. Terry Roberts, director



FMU Department of Fine Arts
Sunday, 4 December 2005
Kassab Hall, Hyman Fine Arts Center, 3:00 pm

Francis Marion University Concert Choir
Sue Butler Orr, director


Open to all university students, the University Concert Choir has an average enrollment of between 35 and 45 students.  This group has sung in numerous area churches and has also performed with the Florence Symphony Orchestra.  They have performed such major choral works as the “Polovetzian Dance and Chorus” of Alexander Borodin, the “Schicksalslied” of Johannes Brahms, and the Ninth Symphony of Ludwig van Beethoven.  Recently their concerts have included selections accompanied by the newly formed Francis Marion string ensemble.

At right the Francis Marion University Concert Choir performs at Central United Methodist Church in Spring 2005.

FMU Concert Choir
PROGRAM

Unto Us A Child Is Born Johann Friedrich Peter

O magnum mysterium Tomas Luis da Vittoria
O wondrous Nativity!
The Word of God in flesh thus made lowly,
O wondrous Nativity!
That simple folk may see His veiling in humanity,
His cradling in humility!
O ye happy holy, kings or shepherds ye,
chosen worthy, the Blessed One to see, Jesus Christ, our Lord.
Alleluja!


When Christmas Morn Is Dawning German Folksong
Frank Emmanuel, tenor solo

Vamos todos a Belen Mexican-American Christmas Song
Courtney Dease, tenor solo

Let us go to Bethlehem with love and joy.
Let us adore our Savior, our Redeemer.
Night became day, an angel descended,
Swimming in the light, this is what he said:
"Let us go to Bethlehem with love and joy.
Let us adore our Savior, our Redeemer."
Joyous shepherds, the prophecy is fulfilled;
Heaven is opened, Life is born.


A Spotless Rose Frank K. DeWald

O Holy Night Arr. John Leavitt


Salmo 150 Ernani Aguiar
Cold and Fugue Season Ellen Foncannon
The Very Best Time of the Year John Rutter
Concert Choir Ensemble
Zac Calcutt, Director

Shout for Joy! Arr. Patrick M. Liebergen

Thirty Second Fa La La Donald Moore

Sleigh Bells Ukrainian Folk Tune

Christmas in a Minute Arr. Jeffrey Biegel
(Based on "Minute Waltz" by Frederic Chopin)



* * CANCELED * *
FMU Artist Series Concert
Tuesday, 31 January 2006
Kassab Hall, Hyman Fine Arts Center

Barbara and Gerhardt Suhrstedt, piano duettists

"Astounding uniformity and precision," "a performance that was almost magical" are the ways critics have described Barbara and Gerhardt Suhrstedt, one of America's few touring one-piano, four-hand teams.  The Suhrstedts presented their first piano duet concert in 1979.  Since their 1982 New York debut, they have performed in 40 states, in Canada, and in Russia.  Their May, 1998 concert at the Grand Palace in Peterhof (a summer palace of the Romanov Tsars) brought them a standing ovation.

Four Hands Fantastique! will bring to life the era of La Belle Epoque and beyond. Combining music of Bizet, Debussy, Faur
é and Ravel with art slides of paintings by Degas, Gauguin, Monet and Renoir, the Suhrstedts will illustrate the many ways in which French artists inspired and influenced each other, often producing landmarks in French art between 1870 and 1920.  Poetry of Mallarmé and Verlaine will complement this French feast for eyes and ears!

It has been five years since they last performed here, and we welcome Barbara and Gerhardt back to Francis Marion University!



Ciompi QuartetFMU Department of Fine Arts Guest Recital
Tuesday, 7 February 2006
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

The Ciompi Quartet with Benjamin Woods
Burns Memorial Recital Series

The Ciompi Quartet has a distinguished past dating to 1965, when the group was founded by the renowned Italian violinist Giorgio Ciompi. The Quartet currently travels widely to destinations throughout the U.S., Europe and Asia, while it continues to play a leading role in the cultural life of its home state through its residency at Duke University, where its members are on the music faculty. Joining the quartet for this concert on piano will be Professor Benjamin Woods of Francis Marion University. 

One of the featured works will be Chambers: Attracted to the Light, a recently completed string quartet by Dr. Sherry Woods of Florence.  Based on the artwork in and around the North Carolina Museum of Art, the quartet is scheduled to premier at the museum in January 2006.  The recipient of the 2005 "Miriam Gideon" new music composition award presented by the International Alliance of Women in Music,  Sherry has also recently been artist-in-residence at the Julia and David White Artist Colony in Costa Rica as well as top-voted applicant for a residency in the Wildacres Retreat Center.  Sherry Woods has doctorates in viola and composition, is a member of the South Carolina Philharmonic and solo artist for the South Carolina Arts Commission's Community Tour Program. Dr. Woods is well known as a performer, composer, and educator; and her compositions have been performed across the United States and abroad.

Performances by the Ciompi Quartet are known for their intelligence and musical sophistication, and for a unified sound that leaves room for the players' individual voices. With a rare maturity and insight born of its considerable experience on the concert stage, the Ciompi Quartet projects the heart and soul of the music, in a repertoire that ranges from well-known masterpieces to works by today's most communicative composers.

Recent tours have taken the Ciompi Quartet as far afield as China, Germany, Italy, and Albania; the next year includes trips to Costa Rica, Puerto Rico, and Germany. Travels in the US range across the country, from Los Angeles to Boston. During the summer the Quartet has been engaged at Monadnock Music in New Hampshire, North Carolina's Eastern Music Festival, and the Highlands Chamber Music Festival; in 2006 they will be appearing at the Great Lakes Chamber Music Festival. The Ciompi members excel as communicators and are a frequent choice for residencies, in settings that range from colleges such as Dartmouth and St. Lawrence, to inner city and rural schools.

Recent musical collaborations have included the distinguished talents of pianists Menahem Pressler and James Tocco, cellist Ronald Leonard, saxophonist Branford Marsalis, soprano Susan Narucki, and jazz vocalist Nnenna Freelon. The latter three performed world premieres with the Ciompi Quartet, reflecting the Quartet's commitment to creative programming, which often mixes the old and the brand new in exciting ways. The Quartet's extensive record of commissions includes many strong works that it continues to play on tour. A recent commission from composer Paul Schoenfield yielded a major new work for quartet; Scott Lindroth's song cycle on text by the poet Rumi, written for the Ciompi and Ms. Narucki, is an exciting addition to the repertoire for quartet and voice; two works by the versatile young Mark Kuss have brought together the Ciompi Quartet with well-known jazz artists Marsalis and Freelon.

The Quartet's most recent CD release is of 20th century music for quartet and voice, featuring Ms. Narucki and tenor Steven Tharp. On the way is a recording of the quartets of Paul Schoenfield including the popular "Tales of Chelm." Numerous other discs by the Ciompi Quartet are on the CRI, Arabesque, Albany, Gasparo, and Sheffield Lab labels, with music from Haydn, Mozart, and Beethoven, up through the present.

© 2005 Ciompi Quartet.

THE DAVID MARSHALL AND CATHERINE KOGER BURNS MEMORIAL RECITAL SERIES
    David Marshall Burns, Jr., and Catherine Koger Burns, natives of Charleston, South Carolina, were married and moved to Florence in 1933 where they became actively involved in civic activities and the arts. The Bums Recital Series was established in 1989 by Catherine Burns in memory of her husband and, upon her death in 1995, the Series was renamed the David Marshall and Catherine Koger Burns Memorial Recital Series.
    Mr. Burns was a graduate of the Medical University School of Pharmacy, with a post-graduate degree in pharmaceutical chemistry. Mr. Burns was chief pharmacist at Roper Hospital in Charleston until 1933 when he became Medical Service Representative for Eli Lilly and Company, Pharmaceutical Manufacturers, and moved to Florence.
    He was a member of the South Carolina Pharmaceutical Association as well as the Travelling Men's Organization. He served on the Board of Health of Florence and was Chairman of the Salvation Army Board. He was a member of the Board of Stewards of Central Methodist Church. He was volunteer instructor of pharmacology at McLeod's Nursing School and was twice chosen by the nurses as outstanding teacher.
    Mr. Burns was a member of the Society for Preservation and Encouragement of Barbershop Singing in America, Inc., an organization dedicated to the support of a hospital in Kansas which treats children with speech and hearing defects.
    He was a member of The Graduates, a Quartet which performed at various affairs including Art's Alive at Francis Marion University. He was honored by the local chapter in 1973 and again in 1984 when he was chosen Barbershopper of the Year. His hobby was antique clock collecting and repair. His collection of about 250 clocks went to a museum in North Carolina. After his retirement from Eli Lilly, Mr. Bums worked part-time at Dixon's Drug Store on Dargan Street.
    Catherine Koger Bums was a graduate of Memminger High School in Charleston and later earned degrees in Music and English at Coker College in Hartsville. A talented actress, she later took post graduate work at the University of North Carolina and studied drama at the Bennett School, Millbrook, New York. After a brief attempt to make a New York career in the theater, Mrs. Bums returned to South Carolina and taught piano in Midland, South Carolina, under the supervision of her cousin, Nell Mellichamp. Soon thereafter in 1933, she was married to David Marshall Burns of Charleston.
    In Florence, Mrs. Burns continued to perform as a regular with the Florence Little Theatre and played several leading roles in radio dramas produced by WIS, Columbia, and WCSC, Charleston. As a frequent reader at her Sorosis Literary Club, Mrs. Burns became regionally recognized as an interpreter of the poetry of Dubose Heywood, Harvey Alien, and others. For many years Mrs. Burns performed dramatic readings and narrations at Christmas and Easter Holidays at Central United Methodist Church and Timrod Park. Probably, however, the most satisfaction she ever derived from the use of her talents was when she was "The Story Lady" and read classic stories to the children at the Florence Public Library. This cherished activity was resumed in her adopted hometown of Tallahassee, Florida, where she lived until her death in March 1995. This recital series is a tribute to David and Catherine Burns and their valuable contributions to the enhancement of the arts in the Pee Dee.

USAF Academy WindsCommunity Sponsored Concert
Friday, 10
February 2006
McNair Science Building Auditorium, 7:00 pm

The United States Air Force Academy Winds
Sponsored by the USAF Academy, City of Florence, Morning News & Francis Marion University

Academy Winds is the newest member in The United States Air Force Academy Bands’ family of musical ensembles. This innovative sextet is comprised of instrumentalists from every section of the Concert Band to include woodwinds, double reeds, brass and percussion. The result is an eclectic performance sure to please every audience member. Drawing on fresh, dynamic arrangements, the group presents a wide variety of musical styles, always with contagious enthusiasm. Whether performing renaissance, symphonic favorites, traditional jazz or even the latest pop chart, this versatile ensemble will have you wondering, “What could possibly be next?”

Academy Winds superbly supports its missions of community relations, educational outreach, and Air Force recruiting. The members of Academy Winds have studied at some of the most prestigious universities and music conservatories in the country, using that education to offer outreach to high school and university students through master classes and clinics. Their exceptional musical performance will not only entertain you, but also deliver a patriotic message that will linger in your hearts and minds forever. Academy Winds guarantees a very memorable musical experience!

Free tickets will be available at the Morning News, 310 S. Dargan St., and at the Florence City-County Complex, 180 N. Irby St.

ShenandoahFMU Artist Series Concert
Saturday, 11 February 2006
McNair Science Building Auditorium, 8:00 pm

Return to Forbidden Planet
a sci-fi musical based on The Tempest
Shenandoah Shakespeare Express

Planet is simultaneously a: play, Shakespeare review, musical cabaret, science fiction spoof, Shakespeare spoof, musical spoof, and a rock concert to boot. Bob Carlton starts with the same basic premise Fred Wilcox used for his film: “let’s do The Tempest in outer space, sort of.” In both Planet stories, we have Doctor Prospero as a mad scientist, Miranda as his daughter who has been raised in an isolated environment, and a robot created by the doctor (Wilcox calls his Robby, Uncle Bob calls his Ariel). Uncle Bob takes this Tempest-in-outer-space premise and immediately adds both literary and wacky dimensions not found in the film by making ninety-five percent of the dialogue Shakespeare (or riffs off Shakespeare lines we affectionately refer to as “Makespeare”). Our Assistant Director and Troupe Manager (and crack research department of one), Carie Donnelson, puts the Shakespeare count at fifteen plays and two sonnets.

But doing a sort-of-Tempest in outer space using mostly lines from all over the Bard’s cannon wasn’t enough for our Uncle Bob. He takes this sci-fi Shakespeare concoction and then mixes in pop songs from the 50s and 60s at strategic spots that actually further this unhinged narrative. As the ship and crew dodge flaming asteroids in their path, they break into Great Balls of Fire; when Miranda falls for Captain Tempest and her father speaks harshly to him, she expresses her emotional state with Teenager in Love. So the play truly becomes a rock and roll Shakespeare musical in outer space. And if all of the above isn’t enough to make your head spin in delight and wonder, this musical was originally designed for the actors themselves to be the musicians while they play and sing onstage for the whole show.

But, we have taken crazy Uncle Bob’s musical fantasy and added a few more layers that we think nobody else has done since he created the show. We’re doing every piece of music live onstage with ACOUSTIC instruments and without electronic special effects or microphones as we leave the lights on the audience and make them a literal part of this adventure. And we’re not talking about acoustic guitars hooked up to amplifiers and wired into effects boxes; we’re playing a cello, a banjo, a mandolin, two trumpets, an acoustic bass, bongo drums, a cheese grater, and many truly acoustic guitars. Every actor plays at least two instruments and sings.

Finally, we are first and foremost a Shakespeare troupe. So we hope that we are delivering the Shakespeare lines in this play with the complete justice they deserve. We’re not afraid to poke fun at Shakespeare (or musicals or Star Trek or rock and roll clichés), but we also hope that we can really use the Shakespeare (and Makespeare) Uncle Bob has given us to take you on a “routine scientific survey flight” you will never forget.


WSaxQFMU Artist Series Concert
Wednesday, 15 February 2006
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

Washington Saxophone Quartet

WSaxQ is the most widely heard saxophone quartet in the United States. Since 1997, recorded arrangements by the Washington Saxophone Quartet have aired daily throughout the United States on National Public Radio's broadcasts of All Things Considered. Audiences greatly enjoy their connection to WSaxQ when they discover they've been hearing the Quartet's music each day. And, they are often surprised to find out they have been listening to four saxophones! The instruments are able to evoke the refined sounds of a string quartet, the rich harmonies of an organ prelude, and the excitement of a jazz sax section.

During more than a quarter century of giving recitals, informal concerts, and master classes in the United States, the Caribbean, and China, and on radio and television worldwide, the Quartet has become an ensemble that draws on a rich repertoire and wealth of experience to reach listeners of every age and background. As past and present players in the elite, "special" military bands in the nation's capital, WSaxQ's members have performed thousands of concerts in schools throughout the United States, giving them a special insight into programs for young people. As a special community service, since 1992 the Quartet has presented an annual benefit recital for Loaves and Fishes, a ministry to feed the homeless in Washington, D.C. A highlight and honor for the group was being chosen to perform for the 1997 Presidential Inauguration.


The University Theatre
Thursday-Saturday, 23-25 February 2006
Hyman Fine Arts Center Theatre, 8:00 pm

The Hammerstone by Jon Tuttle

The Francis Marion University Theatre's winter production will be Jon Tuttle's The Hammerstone. Reservations for The Hammerstone may be made beginning February 13 by calling the box office at 661-1365. The box office will be open to reserve seats Monday through Friday from 1 pm to 5 pm.  All tickets are free to the public.

Dr. Roberts directsFMU Department of Fine Arts
Tuesday, 28 February 2006
McNair Science Building Auditorium, 8:00 pm

University Wind Symphony
Dr. Terry Roberts, conductor

The Wind Symphony rehearses on Tuesday evenings and is open to adult participation.  This is the fourth year we have performed in this format.  As you can see from the personnel roster, the membership is evenly divided between FMU students and community participants.  We are always seeking additional participants; if you play a band instrument or know someone looking for a place to play, please contact us.  Information can be found at http://web.fmarion.edu/~finearts/windband.htm or email Dr. Roberts at troberts@fmarion.edu.


PROGRAM

Armida Overture
. . . . . . . . Franz Joseph Haydn
Arr. Richard W. Bowles

Pacem, A Hymn for Peace . . . . . . Robert Spittal

Insignia. . . . . . . . . . . . . .Sean O'Loughlin

Castellum . . . . . . . . . . . .Jan van der Roost

Highlander. . . . . . . . . . . . . .Carl Strommen




FMU First Tuesday Chamber Music Series
Tuesday, 14 March 2006
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

Firenze Plays Favorites
-- The Firenze Quartet

The Firenze String Quartet was formed in 1978 in response to requests from the community for a string quartet to play weddings, receptions, and church music. The musicians were all members of the Florence Symphony and happened to all have a connection to Francis Marion College since they were all wives of faculty members, and in the case of one of the musicians a faculty member herself.
 
In addition to the community service the Firenze String Quartet has performed a recital of chamber music just about every year since 1978, usually at Francis Marion University, but also in Wilmington and Morganton, North Carolina. They have played in many locations in the Pee Dee and at Myrtle Beach, Georgetown, and Charleston. Frequently, other musicians are asked to join them so that they can play quintets or sextets in addition to the standard quartet literature.

The original members of the quartet were Thelma Hawkins, violin, Doris West, violin, Sherry Woods, viola, and Julia Krebs, cello. Starr Ward now plays with the group as first or second violin. Honor Bonds, viola, is joining the quartet on this concert to play a Mozart viola quintet.

Starr Ward, violin, is currently the concertmistress of the Florence Symphony Orchestra. She has been a soloist with the symphony, most recently playing one of the Bach Brandenburg concertos in their last concert. She graduated from UNC-Greensboro with a Bachelor of Music and Master of Music in Music Education. She has a studio of private students in Florence.

Thelma Hawkins, violin, served until recently as the concertmistress of the Florence Symphony Orchestra. Recently retired from the public schools where she was the strings teacher at Williams and Wilson, she is well-known to the Florence musical arts community.

Sherry Woods, viola, is former Principal Viola of the Florence Symphony and a member of the South Carolina Philharmonic. She has both a DMA in musical composition and a DMA in viola from the University of South Carolina. Several of her compositions have been premiered by the Firenze String Quartet, the Florence Symphony Orchestra, Masterworks Choir, the South Carolina Philharmonic, and the Ciompi Quartet of Duke University. She maintains a studio of private students in Florence.

Julia Krebs, cello, was Principal Cellist of the Florence Symphony for 20 years. Dr. Krebs is well-known to Francis Marion University students as a professor and chair of the biology department and as one of the University's Distinguished Professors.

Honor Bonds holds the Principal chair in the viola section of the Florence Symphony Orchestra. A native of Florence, she studied viola under Sherry Woods, and graduated from the College of Charleston with a Bachelor of Science in Chemistry
.


                       FIRENZE PLAYS FAVORITES
Interludium in Modo Antico Op. 15, No. 3. . . .Alexander Glazounow
Streich-Quintette No. VI . . . . . . . . . . Wolfgang Amadeus Mozart
     Allegro
Streich-Quartett A dur Op. 18 No. 5. . . . . . .Ludwig van Beethoven
     Andante Cantabile
Quartet No. 2 c minor op. 51 . . . . . . . . . . . . Johannes Brahms
     Finale, Allegro non assai
El Choclo. . . . . . . . . . . . . . . . . . . . . . .Angel Villoldo
                                               arr. Matthew Naughtin
Irish Reel . . . . . . . . . . . . . . . . . . . . . . .Alfred Pochon


Suo OrrFMU First Tuesday Chamber Music Series
Tuesday, 4 April 2006
Kassab Hall, Hyman Fine Arts Center, 8:00 pm


"The Oratorio" - Sue Butler Orr, soprano

Sue Butler Orr, a native of Birmingham, Alabama, graduated from Samford University with a Bachelor of Music Degree in vocal performance. While at Samford, she studied with Eleanor Ousley, and appeared as soprano soloist with the university orchestra and sang in numerous opera productions. She then attended Florida State University, receiving a Master of Music Degree also in vocal performance, studying with Eugene Tally-Schmidt. Since coming to Florence, SC in 1969, Mrs. Orr has sung in many churches, appeared as soloist with the Masterworks Choir, Florence Symphony Orchestra, and the Longbay Symphony.

For the past twenty-six years, Mrs. Orr has taught at Francis Marion University. As assistant professor of music, she is the director of the choral program and teaches private voice. Under her leadership, the
choral program has grown and now includes two choral groups: the Concert Choir and CUT TIME, the small show choir. CUT TIME recently performed in Disney World's Magic Kingdom, Baltimore, Washington D.C., Vienna Austria, and will participate in a Music Festivals cruise aboard Sovereign of the Seas on March 31, 2005.


FMU Jazz ExpressFMU Department of Fine Arts
Thursday, 6 April 2006
McNair Science Building Auditorium, 8:00 pm

University Jazz Express
Craig Alberty, director
with visiting artist
Berke McKelvey, woodwinds

Berke McKelveyThe Jazz Express explores a variety of the standard and fusion repertoire as the students develop proficiency in improvisation.  Working throughout the semester with Department of Fine Arts instrumental programs director Craig Alberty, four of the ensemble members received outstanding performance awards at the recent Wilmington Jazz Festival. Visiting artist Berke McKelvey is returning to campus for an intensive workshop with the Jazz Express and will perform with them in concert.

Berke McKelvey is currently an associate professor at Berklee College of Music in Boston. He teaches in the ear training department, harmony department, and the summer performance program. The latter includes the Berklee Saxophone Weekend, Guitar Sessions, World Percussion Festival, and the five-week Summer Performance Program.


McKelvey also maintains an active performing and conducting schedule in his home area on Cape Cod. He conducts the Barnstable Town Band, plays lead alto with the Cape Cod Conservatory Jazz Ensemble, plays tenor sax in Pocket Full of Soul (a local R&B band), and freelances in a variety of other musical settings. His most unusual regular chair is performing as laptop computer player in a free jazz group made up of Berklee faculty called Moksha.
 
He has performed with the Boston Pops Orchestra, Boston Opera Orchestra, St. Louis Symphony Orchestra, San Diego Symphony Orchestra, the Glenn Miller Orchestra, the Temptations, Gladys Knight and the Pips, and for Disneyland. Recordings include work for Buena Vista Records, Daybreak (RCA) and MCA/Curb. McKelvey has also recorded music for Sesame Street and Captain Kangaroo.

 

His formal study includes degrees from the Berklee College of Music, Principia College, and a Master of Arts degree from the University of California at San Diego.


The University Jazz Express provides FMU students with an opportunity to explore the jazz repertoire in both big band and improvisational ensembles.  Contact Dr. Terry Roberts 843.661.1681 for additional information about participating in the Jazz Express.



The University Theatre
Thursday-Saturday, 13-15 April 2006
Hyman Fine Arts Center Theatre, 8:00 pm

The Actor's Nightmare by Christopher Durang


The Francis Marion University Theatre will conclude its 2005-2006 season with Christopher Durang's The Actor's Nightmare. Reservations for Nightmare may be made beginning April 3 by calling the box office at 661-1365. The box office will be open to reserve seats Monday through Friday from 1 pm to 5 pm.  All tickets are free to the public.

FMU Department of Fine Arts
Tuesday, 18 April 2006
McNair Science Building Auditorium, 8:00 pm

University Wind Symphony
Dr. Terry Roberts, conductor

The Wind Symphony rehearses on Tuesday evenings and is open to adult participation.  This is the fourth year we have performed in this format.  As you can see from the personnel roster, the membership is evenly divided between FMU students and community participants.  We are always seeking additional participants; if you play a band instrument or know someone looking for a place to play, please contact us.  Information can be found at http://web.fmarion.edu/~finearts/windband.htm or email Dr. Roberts at troberts@fmarion.edu.


FMU Department of Fine Arts
Thursday, 20 April 2006
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

Cut Time Show Choir -- All-Disney Program
Sue Butler Orr, director


Francis Marion’s show choir, CUT TIME is an audition-only group which combines singing and choreography.  This group performs throughout the region for schools and service organizations.  In the fall of 1996 they traveled to Lake City and Charleston, singing in 5 high schools.  In October of 1997 they sang at Cosmic Ray’s Starlight Café in the Magic Kingdom at Disney World in Orlando.  In 1998 they traveled to Baltimore, Maryland, in Washington, D.C. and in Vienna, Austria.  In April of 2002, they returned to Disney World and Cosmic Ray’s Starlight Café.  Spring of 2003 included a performance cruise to the Bahamas.



FMU Department of Fine Arts
Sunday, 23 April 2006
Kassab Hall, Hyman Fine Arts Center, 3:00 pm

University Concert Choir
Sue Butler Orr, choral director


The choral program at Francis Marion affords an opportunity for students who enjoy singing to do just that. The Concert Choir rehearses three times per week and present a concert at the end of the semester in addition to singing for graduation. Interested students should contact the Choral Director.

PROGRAM
 
Let Their Celestial Concerts All Unite                        George Frideric Handel (1685-1759)
(from Samson)
 
Fair Maid, Thy Charm and Loveliness                                 Hans Leo Hassler (1564-1612)
 
Counterpoint Of The Animals                                               Adriano Banchieri (1567-1634)
 
Four Temperance Songs                                                                          Arr. Ralph Hunteres
           
O, Join The Army
            Clear The Track!
            Sparkling Water
            Sign Tonight
   
INTERMISSION
 
   
Liebeslieder Waltzer, Opus 52                                           Johannes Brahms (1833-1897)
(Lovesong Waltzes)
Rebecca M. Culbertson and Benjamin Woods, Pianists
 
            1.  Answer, maiden
            2.  Deep in thunder roars the tide
            3.  Oh, these women
            4.  Like the evening sunset’s rapture
            5.  The tender hopvine wanders
            6.  There was a tiny, pretty bird
            7.  How dear, alas, was life together -- Lynn Hughes, soprano
            8.  When your eyes so fondly seek
            9.  On Danube’s border
            10.Oh, how calm the river flows
            11.No, I will not listen to them
            12.Locksmith, go and bring me padlocks
            13.Ev’ry bird that soars the sky
            14.See how bright the fountain gleams
            15.Nightingale, you sing so sweet
            16.My love is a well
            17.Don’t wander, my light  -- Robert Jones, tenor
            18.Each tender leaf is trembling 



The Woods FamilyFMU Department of Fine Arts
Monday, 24 April 2006
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

A Woods Family Chamber Concert
Department of Fine Arts Recital


	Los Angeles musicians Adrienne and Christopher Woods are joining parents Sherry and Benjamin Woods to perform in celebration of the final day of classes for the Spring 2006 semester!

 Christopher Woods has played the violin since age four. He began studying with Thelma Hawkins and continued with Sherry Woods and Won-Mo Kim. Born to a musical family, he first appeared in public on the First Tuesday Series at Francis Marion University at the age of eight, performing the Bach Double Concerto for Two Violins with his mother, Sherry Woods. By the age of ten, he gave a solo recital at the Arts Alive Festival at FMU. At age twelve, he performed the Mozart Concerto In G Major with the Florence Symphony, as well as foreshadowing another career by landing the role as “The Artful Dodger” in the stage musical, Oliver.
He has won numerous state and national awards and scholarships, enabling him to study at such prestigious music camps as Brevard, Interlochen, Meadowmount, Killington, the Daniel Heifetz Festival and the Henry Mancini Institute and Jazz Philharmonic Orchestra held at UCLA in Los Angeles where he was one of the concertmasters and jazz soloists.
He has studied at the North Carolina school of the Arts with Kevin Lawrence, in master classes with violinist-violist-conductor Pinkas Zuckerman, as a scholarship student of Sergiu Swartz at the Harrid Conservatory in Florida, with Frits deJonge at the University of South Carolina, and with Patinka Kopec at the Manhattan School of Music in New York City where he graduated with a bachelor’s degree in violin performance.
He has performed concertos by Tchaikowsky, Ravel, Mendelssohn, Bruch, Sarasate, and Sherry Woods with the Florence Symphony, the Spartanburg Philharmonic, the USC Orchestra, and the South Carolina Philharmonic.
Based in Los Angeles California, he maintains a career in the music performance and entertainment industries, appearing in productions of Jessica Simpson, Jay Leno, and Stephen Spielberg.
Benjamin Woods has given numerous solo piano concerts across the country, including Coolidge Auditorium of the Library of Congress, and Carnegie Recital Hall in New York City where he made his debut in 1985. He has performed as guest soloist with the Florence Symphony Orchestra, Florence SC, in concertos of Brahms, Beethoven, Tchaikovsky, Dohnanyi and Gershwin, he has performed the Beethoven Choral Fantasy with the Florence Masterworks Chorus and Orchestra, and he has performed Beethoven concertos nos. 3, 4, and 5 with conductor John Paul and members of the Mississippi Symphony Orchestra, Jackson Mississippi. A professor of music at Francis Marion College in Florence, he was Conductor/Music Director of the Florence Symphony from 1996 to 2002. He was recently selected as a FMU Board of Trustees Research Scholar. He continues his teaching and performing careers.
Adrienne Woods has won numerous awards for her playing, including public school and ensemble competitions, college and university performances, and professional solo and symphonic engagements.
Beginning her cello Study with Sherry Woods at age four, she continued her instruction with Julia Krebs in Florence, SC. She studied with Robert Jesselson, artist-professor at the University of South Carolina, where she was awarded a full scholarship.
As a promising student, she received awards distinguishing her as the “Outstanding Student in Music” in her graduating class at both Moore Middle School and West Florence High School. She was a member of the Junior and Senior All-State Orchestras for six year, serving as principal cellist for two years. She was selected to participate in the SC Governor’s School of the Arts Summer Orchestra Program where she was principal cellist and selected to be recital soloist. Also selected as principal cellist, she received a scholarship to attend the Brevard Music Camp in North Carolina.
As a member of the Woods Family Quartet, she has performed concerts with them across the Southeast, and is featured in concert and as soloist on their latest CD.
While at the University of South Carolina, she collaborated on many chamber recitals, including performances with Christopher Woods and Jack Kohl. She also collaborated in ensembles on numerous faculty recitals at USC, and has performed with the USC Symphony Orchestra. Graduating from USC, she received a bachelors degree in Music Performance.
As a professional orchestral musician and soloist, she has been a regular performer with the South Carolina Philharmonic Orchestra, the Florence Symphony Orchestra, and the Augusta Symphony. She has performed with the Masterworks Choir Orchestra of Florence, SC, and the Long Bay Symphony Orchestra of Myrtle Beach, SC. Having made her cello orchestral-soloist début with the Florence Symphony, she was invited to return to perform the Dvořák Concerto for Cello and Orchestra with them.
Relocating to Los Angeles, California, she became a member of the Jazz Philharmonic Orchestra of the Henry Mancini Institute at UCLA, and was a member of the Début Orchestra of Beverly Hills. Besides this she is doing some teaching, recording studio work and music video backgrounds, and other interests and pursuits.
Sherry Martin Woods, principal violist with the Florence Symphony, member of the South Carolina Philharmonic, the Firenze Quartet, and the Woods Piano Quartet, is well known as a performer, composer and educator. She and Benjamin Woods have been chosen several times as performing artists for the South Carolina Arts Commission's Community Tour Program. Sherry Woods earned the Doctor of Musical Arts Degree in viola performance at USC in 1991 and the DMA in Composition in December of 1997. She has taught at both Francis Marion University and the University of South Carolina.
Sherry Woods' works have been performed by artists such as Christopher Woods violinist, Elizabeth Johnson, flutist, Sue Orr, Marcy Betzer, and Sharyn Mapes, sopranos, the Vienna Saxophone Quartet, and William Mills, Nicholas Smith and Benjamin Woods, conductors. Larger groups performing her works have included the Florence Symphony, the South Carolina Philharmonic, and the Masterworks Choir and Orchestra. In recitals and in concerts from New York City to Taiwan her works have included the song cycle Leaves of the Fall, Persephone Dances for cello and orchestra, The Sunflower Concerto for violin and orchestra, Dance of the Dolphin and the Whale for youth orchestra, Sapphic Songs for women's chorus, Lament for Lost Infants for saxophone quartet, a dance suite, Kaleidoscope, choreographed and performed by the South Carolina Dance Company, The Florentine Overture, commissioned by the Florence Symphony for the opening of its 50th season, The Wisdom Fanfare, commissioned by the South Carolina Philharmonic and a choral work, The Holy Band - Mystical Songs on the Poetry of Hafiz, commissioned by the Masterworks Chorus and Orchestra.
Sherry Woods song cycle, Of Rivers and Trees, for tenor, piano, violin, viola, cello and flute, was premiered at the College of Charleston in November of 2001; it was described as "beautiful and riveting" by the Charleston Post. Collaborating with visual Artist Dagmar Nickerson for a joint presentation of art and music for the March 2003 First Tuesday Music Series at FMU, Dr. Woods presented From the Center, a recital of recent and new works.
She has served as composer in residence twice for Southside Middle school in Florence, and she composed compositions for both their Ron McNair and Dizzie Gillespie concerts. She served as conductor-clinician for the Florence All-City Orchestra, for which she was also commissioned to write a composition honoring retiring band director Leon Harvey. Sherry Woods continues to compose, teach violin and viola, and perform solo literature, with orchestras, and with chamber music groups.

Program

Piano Quartet No. 3 in C Minor, opus 60. . . . . . . . . . .Johannes Brahms
Allegro non troppo

Etude - Tableau in E♭ Minor, opus 39, No. 5. . . . . . .Sergei Rachmaninoff

Concerto for cello, opus 85. . . . . . . . . . . . . . . . . . Edward Elgar
Adagio- moderato

Actors . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sherry Woods

Serenade in C major, opus 10 . . . . . . . . . . . . . . Ernst von Dohnányi
Marcia
Rondo

Tzigane. . . . . . . . . . . . . . . . . . . . . . . . . . . .Maurice Ravel

This program is sponsored in part by a grant from the Florence Regional Arts Alliance and the South
Carolina Arts Commission, which receives support from the National Endowment for the Arts.
                            


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