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Department of Fine Arts
Performing Arts Highlights 2004-2005


Dr. Benjamin Woods

FMU First Tuesday Chamber Music Series
Tuesday, 7 September 2004
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

Lecture Recital by Benjamin Woods, piano, on Johannes Brahms' Variations on a Theme by Haendel, Opus 24

The first performance on the 2004-2005 cultural events calendar sponsored by the Department of Fine Arts will be a First Tuesday Chamber Music Recital by pianist Dr. Benjamin Woods in Kassab Recital Hall.  At 8:00 pm on September 7, 2004, Dr. Woods will present a lecture recital on a work by Johannes Brahms, Variations and Fugue on a Theme by Haendel, Opus 24.

Whenever the University calendar permits, the first Tuesday of each month is designated to showcase the arts on campus.  In September, Dr. Woods' recital will act to highlight the art gallery series exhibitions.  In the Hyman Fine Arts Center Gallery is the 2004 Visual Arts and Art Education Alumni Invitational, bringing FMU graduates back to campus to display their recent work in painting, drawing, ceramics, sculpture, photography and graphic design.  In the University Center Gallery is "Nature Observed," a series of paintings and drawings from nature by artist and biologist Stephen M. Welch.

Benjamin Woods has given numerous solo piano concerts across the country, including Coolidge Auditorium of the Library of Congress, and Carnegie Recital Hall in New York City where he made his d‚but in 1985. As pianist, he has presented many faculty recitals at Francis Marion University, chamber music and solo concerts at numerous other colleges and universities, and performances at community concert series and festivals. He has performed as guest soloist with the Florence Symphony Orchestra, Florence SC, in concertos of Brahms, Beethoven, Tchaikovsky, Dohnanyi and Gershwin. He has performed the Beethoven Choral Fantasy with the Florence Masterworks Chorus and Orchestra. He has performed Beethoven concertos nos. 3, 4, and 5 with conductor John Paul and members of the Mississippi Symphony Orchestra, Jackson Mississippi. With the South Carolina Philharmonic, he has performed the Mozart Piano Concerto no. 23. He was selected one of twelve national finalists in the U.S. Information Agency's Artistic Ambassador Competition, and one of ten finalists in the Beethoven International Piano Competition.

Besides performing in the Woods Family Ensemble with his wife Sherry Woods, violist, and their children Christopher Woods, violinist, and Adrienne Woods, cellist, he has collaborated in recital with the Firenze String Quartet, and with artists Sue Butler Mills, soprano, Roland LeRoy Skinner, bassoonist, and, William Mills, pianist. He has also given concerts with Kathleen Vandekieft, Metropolitan Opera soprano finalist, Harold Jones, concert flutist, and Steve Maxym, principal bassoonist with the Metropolitan Opera Orchestra.

Benjamin Woods has conducted concerts of the Francis Marion College Chorus, the Florence Choral Society, and the Florence Masterworks Choir and Orchestra. Having served as Music Director/Conductor of the Florence Symphony Orchestra from 1996 to 2002, he recently retired from this post to devote all his energies to piano performance. Besides great symphonic literature, he has conducted the Florence Symphony in concertos and vocal works with artists such as Robert Jesselson and Kenneth Law, cellists, David Kim, violinist, Kathleen Vandekieft and Sue Orr, sopranos, Michael Best, tenor, Walter Hautzig, Raymond Dudley, Dana Dixon, and Michael Kim, pianists, and the Eroica Trio.

Presently a professor of music at Francis Marion University in Florence, SC, Benjamin Woods has recently received the distinction of being named one of Francis Marion University's Board of Trustees' Research Scholars. This designation recognizes his outstanding scholarly achievements in music performance, and the promise of continued scholarly activity in the future. He earned the BS degree in performance and education as a scholarship student from Lamar University in Beaumont, Texas. As a Graduate Fellowship recipient, he received the Master of Music degree in performance from Midwestern University in Wichita Falls, Texas. He received the Doctor of Musical Arts degree from the University of South Carolina, studying with Raymond Dudley, Artist-in-Residence. His other teachers and coaches include such outstanding musicians as Melissa Bayard, Verlie Mitchell, Martha Craft, Hubert Kaszynski, Ivy Boland, and concert pianists Eugene List, Beveridge Webster and Walter Hautzig.

Woods Duo

FMU First Tuesday Chamber Music Series
Tuesday, 5 October 2004
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

Woods Duo Plus: Sherry Woods, violist, with Bryan Rawls, violinist, Benjamin Woods, pianist, and ensemble strings

Brian Rawles, violinistThis concert will feature works by Bach, Mozart, Ernest Bloch, Lalo, and a new composition by Sherry Woods.  Besides works from the Woods Duo repertoire, Dr. Woods will spotlight the talents of Bryan Rawls, a student of hers about to pursue a music major at USC in Columbia, and an ensemble of students from her studio.

Drs. Benjamin and Sherry Woods will be joined by a group of gifted young musicians from Sherry Woods’ private teaching studio for the October 5th First Tuesday Chamber Recital at Francis Marion University in the Kassab Hall at 8:00 PM.  Violinist Bryan Rawls will will be featured in solo works by Lalo and Bach as well as a Mozart Duo with Sherry Woods.  Rawls just received a full scholarship from the University of South Carolina to pursue a degree in music; a member of the Florence Symphony, he has received many honors on the violin.  Rawls will join other award-winning students for larger works of Mozart. Those students include Chelsea Schwoyer, Susan Lin, Oliver Kao, Roman Lin, John Tsai, Amy Kuo, Jasper Lee, Mike Li, Sunny Chung, Melanie Zhao, and Kenny Hsu. Guest cellists Jasmine Whelan and Sydney Pullen have also been invited to participate.  The Phoenix Quartet, consisting of Susan Lin, Amy Kuo. Mike Li, and Jasmine Whelan , will also be featured.

The Woods Duo will perform works by Bloch and the premiere of a new work for viola and piano by Sherry Woods.  The Duo is currently South Carolina Arts Commission Community Tour Artists for the 2003-2005 term. Benjamin Woods is a professor of music at Francis Marion University and former conductor of the Florence Symphony Orchestra. Sherry Woods has doctorates in viola and composition, is a member of the South Carolina Philharmonic, and is principal violist of the Florence Symphony. A Charleston Post review described her music as “beautiful and riveting.”

  PROGRAM

Duo for Violin and Viola . . . . . . . . . . . . . . . . . . . W.A.Mozart
I. Allegro
Bryan Rawls, Sherry Woods

Partita in E major . . . . . . . . . . . . . . . . . . . . . . .J.S. Bach
I. Prelude
Bryan Rawls

Suite . . . . . . . . . . . . . . . . . . . . . . . . . . . Ernest Bloch
IV. Molto Vivo
Sherry Woods, Benjamin Woods

Eine Kleine Nachtmusik . . . . . . . . . . . . . . . . . . . .W.A. Mozart
IV. Rondo
. . . . . . . . . . .Phoenix Quartet
Susan Lin, Amy Kuo, Mike Li, Jasmine Whelan

Viola Sonata . . . . . . . . . . . . . . . . . . . . . . . . Sherry Woods
II. Dark Horse
Sherry Woods, Benjamin Woods

Symphonie Espagnole. . . . . . . . . . . . . . . . . . . . . .Eduard Lalo
I. Allegro non troppo
Bryan Rawls, Benjamin Woods

Eine Kleine Nachtmusik . . . . . . . . . . . . . . . . . . . .W.A. Mozart
I. Allegro
Bryan Rawls, Chelsea Schwoyer, Susan Lin, Oliver Kao,
Roman Lin, John Tsai, Amy Kuo, Jasper Lee, Mike Li, Sunny
Chung, Melanie Zhao, Kenny Hsu, Nicole Veneroso, Jasmine
Whelan, & Sydney Pullen
Benjamin Woods, conductor


Ronald High, tenorFMU Department of Fine Arts Guest Recital
Tuesday, 19 October 2004
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

Ronald High, tenor, in Lecture Recital
with Benjamin Woods, piano


Dr. High, a professor of voice at Benedict College in Columbia, will present a baritone vocal recital of works of Adler, Scarlatti, Fauré, Schubert, and Brahms.  In addition, he will include folk songs and Black spirituals.

Ronald H. High, a native Texan, began playing the piano when he was four years old.  He received the B. M. degree, cum laude, from the University of North Texas; the M. M., with distinction, from Arizona State University; and the Doctor of Musical Arts degree from the University of Illinois. While attending this institution, he was an artist/pupil of William Warfield and John Wustman, pianist for Luciano Pavarotti. He has done additional study at the Music Academy of the West in Santa Barbara, California; the Blossom Music Festival in Kent, Ohio; the American and Sherwood conservatories in Chicago, Illinois; and Northwestern University in Evanston, Illinois. He has also studied with master teachers and coaches in various parts of the nation. He has been a recipient of several postdoctoral and faculty development grants, which have afforded him the opportunity to pursue research projects at Northwestern University, Harvard University, New York University, Emory University, and the Shenandoah Conservatory.
 
High has been a collaborative pianist for noted artists including the Barrett Sisters Gospel Trio, Thomas Carey, Gregory Hopkins, Robert Sims, Faye Robinson, Jo Ann Pickens, Ivan Thomas, and William Warfield. He was a participant in the Carnegie Hall Centennial Choir under the direction of Maestro Robert Shaw. In October of 2003, he participated in a concert tribute to Warfield titled “Homage to an American Treasure,” which was held at the Krannert Center for the Performing Arts in Champaign-Urbana, Illinois.
 
High has been selected a Senior Fulbright Scholar for the spring semester 2005 to lecture, teach, and perform at the Hochschule fur Musik und Theater (Conservatory of Music and Drama) in Hannover, Germany. He will also be a part of the inauguration of the Institute for World Music at the Hochschule.
 
High is listed in Outstanding Young Men of America, Men of Distinction, The Dictionary of International Biography, and American Keyboard Artists.


FMU Artist Series Concert
Thursday, 21 October 2004
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

Kenneth Law, violoncello, and Douglas Weeks, piano

Kenneth LawKenneth Law, violoncello, received undergraduate and graduate degrees in performance from the Eastman School of Music and Cleveland Institute of Music, and a Graduate Performance Diploma from the Peabody Conservatory as a student of Paul Katz, Alan Harris, and Stephen Kates. He also served as a chamber music teaching assistant to Joel Krosnick at the Juilliard School from 1994-96.

Mr. Law has been a member of such orchestras as the Cleveland Chamber Symphony, Aspen Music Festival Orchestra, American Chamber Orchestra, and has appeared as soloist throughout the southeast. His concert appearances include performances at the German Embassy in Washington, D.C., the Kennedy Center's Terrace Theater, and Alice Tully Hall in New York City. He has also collaborated with such artists as Earl Carlyss, formerly of the Juilliard String Quartet, Michael Tree of the Guarneri Quartet, and the Ying String Quartet.

Most recently, Mr. Law has performed in the country of Panama as a member of the Converse Trio, and in Winterthur, Switzerland, as a member of the Greater Spartanburg Philharmonic Soloists. Mr. Law is a past president of the South Carolina Chapter of the American String Teachers Association with the National School Orchestra Association.

Mr. Law is Assistant Dean and Assistant Professor of Violoncello and Chamber Music at the Carroll McDaniel Petrie School of Music of Converse College, where he is also a teacher in the Alia Lawson Pre-College Music and Dance Program. He is the cellist of the Converse Trio, the principal cellist of the Greater Spartanburg Philharmonic and Brevard Chamber Orchestra, member of the Phoenix Players, and director of the Palmetto Cello Choir and Converse College Chamber Music Workshop. Mr. Law joins the LYRA String Quartet for the 2003-04 season.

Douglas WeeksDouglas Weeks is Babcock Professor of Piano at Converse College. During the summers, he coordinates Piano Studies at the Brevard Music Festival in the NC mountains. He has performed throughout the Southeastern US both as soloist and as a member of the Converse Trio. He has also performed and taught in twelve countries in Africa, the Middle East, and South Asia under sponsorship of the US Information Agency. In spring 1999, Dr. Weeks taught for four months at the Conservatory of Music, Cairo, Egypt, as a Fulbright Senior Scholar. Most recently, he has performed as soloist with the Spartanburg and Greenville, SC, Symphonies, the Winterthur (Switzerland) Symphony, and in Panama City, Panama, with the Converse Trio.

A prize winner in the Robert Casadesus International Piano Competition, Dr. Weeks competed in the VI International Tchaikovsky Competition in Moscow. He is a National Patron of Delta Omicron Music Honorary Fraternity and a two-time recipient of the SC Arts Commission's Artist Fellowship in Music. He has been awarded the Kathryne Amelia Brown Award at Converse College for excellence in teaching and a SC Commission on Higher Education's Distinguished Professor Award. His articles have appeared in Clavier and in the on-line journal, Piano Pedagogy Forum.

Douglas Weeks holds a B.M. from Illinois State University, a M.M., with a Performer's Certificate, from Indiana University, a D.M. from Florida State University, and a License de Concert from the Ecole Normale de Musique, Paris, France. His teachers include Abbey Simon, Jack Radunsky, Edward Kilenyi, Tong Il Han, Rosina Lhevinne, and Maria Curcio Diamand.

  PROGRAM

Toccata . . . . . . . . . . . . . . . . . Girolamo Frescobaldi
(arr. Gaspar Cassado)

Sonata in G Minor, op. 5, no. 2 . . . . Ludwig van Beethoven
Adagio-Allegro
Rondo-Allegro

Sonata for Violoncello and Piano. . . . . . . . . Frank Bridge
Allegro ben moderato
Adagio ma non troppo
Allegro moderato


windsFMU Wind Symphony Concert
Thursday, 28 October 2004
McNair Science Building Auditorium, 8:00 pm

University Wind Symphony
Dr. Terry Roberts, conductor


The Wind Symphony rehearses on Tuesday evenings and is open to adult participation.  This is the third year we have performed in this format.  As you can see from the personnel roster, the membership is evenly divided between FMU students and community participants.  We are always seeking additional participants; if you play a band instrument or know someone looking for a place to play, please contact us.  Information can be found at http://web.fmarion.edu/~finearts/windband.htm or email Dr. Roberts at troberts@fmarion.edu.

 PROGRAM

Huldigungsmarsch
. . . . . . . . . . . . . . . . . Edvard Grieg
Arranged by Clair W. Johnson


Second Suite in F for Military Band . . . . . . . .Gustav Holst


Thus Do You Fare, My Jesus - J.S. Bach. . . . . . . Alfred Reed


American Folk Rhapsody No. 2 . . . . . . . . . . Clare Grundman


Caccia . . . . . . . . . . . . . . . . . . . .W. Francis McBeth


Americans We . . . . . . . . . . . . . . . . . . Henry Fillmore

Flute
  Aleisha Allison
  Tamara Hamelink
  Shana Hammond
  Judy Niebergall.

Clarinet
  Craig Alberty
  Rachel Corbett
  Cliff Gardner
  Roy Haymond
  Janet Townsend

Bass Clarinet
  Sabrina Judge

Alto Saxophone
  Akeia Deloach
  Alonda Heyward
  Jennifer Ann Rogozinski
Tenor Saxophone
  Roderick Brown

Baritone Saxophone
  Reesha Alexander

Trumpet
  Terry Fancey
  Lisa Hurley
  Ricard Kopituk
  Michael Lane
  Beth Middleton
  Jennifer Morris
  Sandy Middleton
  Randy Schell

Trombone
  Jim Bos
  Scott Johnson
  Rob Lee
  John Smith

Euphonium
  Lyn Alberty
  Clayton Parham

Tuba
  Brien Lovensheimer
  John Russell

Percussion
  David McQueen
  Randy Oswalt
  Steve Rummage


FMU First Tuesday Chamber Music Series
Tuesday, 9 November 2004
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

Charles Fugo, piano

Always a favorite in recital and with the Florence Symphony, Dr. Fugo's program promises to be a highlight of our First Tuesday Chamber Recital season. Charles Fugo is a Professor of Music at the University of South Carolina. He received his B.M. degree at Oberlin Conservatory and his master’s and doctoral degrees at Indiana University. He also studied at the Akademie des Mozarteums in Salzburg, Austria. His teachers include Joseph Schwartz, Winfried Wolf, Abbey Simon, and Jorge Bolet, with chamber music study under Menahem Pressler of the Beaux Arts Trio. He has been on the USC music faculty since 1972, where he teaches piano, supervises the accompanying program, and is coordinator of the piano division. He served on the faculty of the Anderson College Piano Performance Camp and is currently a staff member of the South Carolina Governor’s School for the Arts and Humanities. He has performed with the South Carolina Philharmonic and Chamber Orchestra, the USC Orchestra, and the Charleston Symphony, and has appeared frequently on state-wide Educational Radio and TV programs. Dr. Fugo is also a member of the American Arts Trio.

  PROGRAM


Sonata in F-sharp Minor, Opus 25, No. 5 . . . . . . . . . Muzio Clementi
Piûttosto allegro con espressione (1752-1832)
Lento e patetico
Presto


Sonata in B-flat Minor, Opus 35. . . . . . . . . . . . . Frédéric Chopin
Grave; Doppio movimento (1810-1849)
Scherzo
Marche Funèbre: Lento
Finale: Presto

INTERMISSION

Theme and Variations . . . . . . . . . . . . . . . . . . Johannes Brahms
(transcribed from the Sextet (1833-1897)
in B-flat Major, Opus 18)


Three Transcriptions . . . . . . . . . . . . . . . . Sergei Rachmaninoff
Lullaby, Opus 16, No. 1 (Tchaikovsky) (1873-1943)
Daisies, Opus 38, No. 3 (Rachmaninoff)
Liebesleid (Fritz Kreisler)


Caprice Espagnol, Opus 37. . . . . . . . . . . . . . . Moritz Moszkowski
(1854-1925)


Ensemble AmarcordFMU Artist Series Concert
Tuesday, 23 November 2004
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

Ensemble Amarcord

ensemble amarcord was founded in autumn 1992 by former members of the renowned St. Thomas Boys Choir Leipzig. The current line-up comprising Wolfram Lattke (tenor), Dietrich Barth (tenor), Frank Ozimek (baritone), Daniel Knauft (bass) and Holger Krause (bass) has remained stable since 1995.
 
Its musical work focuses on music from the Middle Ages and the Renaissance, as well as collaboration with contemporary composers. For example, Bernd Franke, Ivan Moody, Marcus Ludwig, Siegfried Thiele and Dimitri Terzakis have all written compositions for amarcord. Yet amarcord‘s repertoire also contains a variety of different programmes covering all facets of vocal music ranging from madrigals through romantic compositions to a cappella arrangements of well-known songs. The young singers gained valuable stimulus from attending master classes with the Hilliard Ensemble and the king‘singers.

This vocal quintet has won several international competitions, including in Tolosa (Spain), Tampere (Finland), Pohlheim (Germany), and the 1st Choir Olympiad in Linz (Austria). In 2002, amarcord won the German Music Competition for Chamber Music in Bonn. Two years previously, ensemble amarcord had received a grant from the German Music Council, and won the Crown Prize awarded by Holsten, a major German brewery.

Alongside the Gewandhaus Orchestra and St. Thomas Boys Choir, amarcord is one of Leipzig main musical representatives in both Germany and abroad. The ensemble regularly appears at important international music festivals, and has undertaken several concert tours all over Europe and North America, where it was enthusiastically received in cities like San Francisco, Washington, New York, Atlanta, Houston or Salt Lake City.

In addition to its concert activity, amarcord has also made its mark by establishing and organising "a cappella", the regular Leipzig festival of vocal music, which has already hosted such ensembles as the king‘singers, the Hilliard Ensemble, Chanticleer, the Huelgas Ensemble and the swingle singers.

THE SINGING CLUB

An English Renaissance Banquet

Now is the month of Maying
Thomas Morley (1557 - c. 1602)    

Come again, sweet love doth now invite
John Dowland (1562-1626)       

Pastime with good company
Henry VIII (1491-1547)           

Remember me, my deir
Anonymous (C 16 Scottish)       

Weep O mine eyes
John Wilbye (1574-1638)           

Since Robin Hood
Strike it up, Tabor
Thomas Weelkes (1575-1623)       

I love, alas, I love thee
Thomas Morley (1557 - c. 1602)

Traditionals from Old and New Worlds

German
Innsbruck, ich muss dich lassen
Heinrich Isaac (c. 1450-1517)

Cuban
Tu – en Cuba
Sanchez de Fuentez

Hungarian
Esti dal
Zoltán Kodály (1882-1967)


Australian
Waltzing Matilda
arr. Sidney Marquez Boquiren

Philippine
Pen-pen de Sarapen
arr. Sidney Marquez Boquiren

American
Dry Bones
arr. Livingston Gearhart
The Singing Club

A Catch for five voices called
The Singing Club
Thomas Arne (1710-1778)

An den Mond
from Sieben Gesänge für Vier Männerstimmen op. 11
Carl Steinacker (1785-1815)   

Liebe und Wein  (Julius Mosen)
from Sechs Lieder für vierstimmigen Männerchor op. 50   
Felix Mendelssohn Bartholdy (1809-1847)

If You Care For Me

Fugue in C minor  BWV 847
from ”The Well-Tempered Clavier” Book I
Johann Sebastian Bach (1685-1750)
arr. Ward Swingle

Lullaby Of Birdland
George Shearing
arr. Alexander L’Estrange

My Funny Valentine
Richard Rodgers/Lorenz Hart
arr. Juan Garcia

Down By The Salley Gardens

Blackbird
Paul McCartney
arr. Daryl Runswick

The Longest Time
Billy Joel
arr. Karsten Wolf

Good Vibrations
Brian Wilson/Mike Love
arr. Burkard Peter

Hit The Road Jack
Percy Mayfield
arr. Marcus Ludwig

ensemble amarcord
    Wolfram Lattke – tenor
    Dietrich Barth – tenor
    Frank Ozimek – baritone
    Daniel Knauft – bass
    Holger Krause – bass


Romeo and JulietFMU Artist Series Concert
Monday, 24 January 2005
McNair Auditorium, 8:00 pm

Shakespeare's  Romeo and Juliet
performed by the National Players


Currently a program of Olney Theatre Center, National Players has earned a unique name and place in American theater.  After 54 consecutive seasons of touring, this remarkable acting company has given approximately 6,500 performances and workshops on plays by Shakespeare, O'Neill, Moliere, Shaw, Kafka, Sophocles, Aeschylus, Aristophanes, Tom Stoppard and Peter Shaffer.  National Players has performed for the public in 35 states and 10 foreign countries, reaching young audiences in areas that are isolated geographically or economically; audiences that would otherwise never see quality live performances of classic plays.

National Players was founded through the efforts of one man, Father Gilbert V. Hartke, the founder and long-time chair of the Speech and Drama department of Catholic University of America.  Father Hartke's vision led to the founding of Players, Incorporated in 1949.  Since 1949, a single twin-bill truck-and-station- wagon company, traveling under the banner of "Players, Incorporated," "University Players, " "Players," and finally "National Players," has continued to bring classic productions across the country from September to May.

After an extensive nationwide search, the directors choose from among the most talented graduates of the country's top college and university theater programs to become members of the touring company.  Continuing in the tradition of traveling players, the youthful troupe is totally involved in every aspect of the plays they perform.  They arrive a few hours before their scheduled performance to prepare each stage: raise the set, hang and focus the lights, check sound equipment and props, arrange dressing rooms, and perhaps run a brush-up rehearsal before donning costumes and make-up.  When the final curtain falls, they do everything in reverse.  Like the Abbey Theatre in Dublin and the Old Vic in London, National Players companies function smoothly as a team.

The National Players have a history of excellence and have received accolades not only from their audiences, but from such luminaries as Walter Kerr, drama critic emeritus of the New York Times; Patrick Hayes, founder and managing director of the Washington Performing Arts Society; and the late Helen Hayes, first lady of the American theater.  Players' alumni prominent on Broadway, television and in films include such names as John Heard, Lawrence Luckinbill, Gino Conforti, Daniel Hugh-Kelly, Stan Wojewodski (former Dean of the Yale School of Drama) and David Richards (head drama critic for the New York Times).  Most recently, National Players received special recognition from The Shakespeare Guild, presenter of The Golden Quill, the Sir John Gielgud Award for Excellence in the Dramatic Arts.

While National Players has a proven track record for developing young theatrical talent (an astonishing 70% of National Players veterans are working in the theater or related fields), it is also committed to the development of young theater audiences.  Through its production of plays and workshops with dramatic integrity and value, the company seeks to instill in its audiences an appreciation for the experience of theatergoing.  This interaction between the company of actors and its audiences bears witness to the potency of the idea of young actors engaging young audiences.  These audiences discover the power and delight of some of the world's most enduring literature brought to life specifically for their appreciation.  This is education at its best: direct, powerful and enlightening.

Firenze Quartet Plus OneFMU Department of Fine Arts Guest Recital
Tuesday, 1 February 2005
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

The Firenze Quartet

The Firenze String Quartet was formed in 1978 in response to requests from the community for a string quartet to play weddings, receptions, and church music.  The musicians were all members of the Florence Symphony and happened to all have a connection to Francis Marion College since they were all wives of faculty members, and in the case of one of the musicians, a faculty member herself.

In addition to community service the Firenze String Quartet has performed a recital of chamber music just about every year since 1978, usually at Francis Marion University, but also in Wilmington and Morganton, North Carolina.  They have played many locations in the Pee Dee and in Myrtle Beach, Georgetown, and Charleston.  Frequently, other musicians are asked to join them so that they can play quintets or sextets in addition to the standard quartet literature.

The original members of the quartet are Thelma Hawkins, violin, Doris West, violin, Sherry Woods, viola, and Julia Krebs, cello.  Starr Ward frequently plays with the group as a member of a quintet or as one of the violinists in the quartet.

Thelma Hawkins, violin, serves as assistant concertmistress of the Florence Symphony Orchestra.  As a retired public school teacher, she teaches privately and is the personnel manager for the Florence Symphony Orchestra.

Doris West, violin, has played in the Florence symphony for over 30 years in the first violin section and as Principal Second Violin.  She spent many years teaching strings in Florence, serving as the orchestra director at Moore and West Florence High School.

Sherry Woods, viola, is Principal Viola of the Florence Symphony and a member of the South Carolina Philharmonic.  She has both a DMA in musical composition and a DMA in viola from the University of South Carolina.  Several of her compositions have been premiered by the Firenze String Quartet, others by the Florence Symphony Orchestra and the Masterworks Choir.  She maintains a studio of private students in Florence.

Julia Krebs, cello, was Principal Cellist of the Florence Symphony for 20 years.  Dr. Krebs is well-known to Francis Marion University students as a professor and chair of the biology department and as one of the University's Distinguished Professors.

Starr Ward, violin, is currently the concertmistress of the Florence Symphony Orchestra.  She has been a soloist with the symphony.  She graduated from UNC-Greensboro with a Bachelor of Music and Master of Music in Music Education.

strange columns to format (narrow right column)
 PROGRAM

Moment Musical. . . . . . . . . . . . . . Franz Schubert

String Quartet in Bb Major, Opus 18, No. 6. . . Beethoven
Allegro con brio
Starr Ward, Thelma Hawkins, Sherry Woods, Julia Krebs

Quartet No. 2 . . . . . . . . . . . . . Alexander Borodin
Scherzo
Nocturne
Thelma Hawkins, Starr Ward, Sherry Woods, Julia Krebs

Transitions . . . . . . . . . . . . . . . . .Sherry Woods
Thelma Hawkins, Doris West, Sherry Woods, Julia Krebs

One Hand, One Heart . . . . . . . . . . Leonard Bernstein
Tonight
Starr Ward, Thelma Hawkins, Sherry Woods, Julia Krebs

Bohemian Rhapsody . . . . . . . .Freddie Mercury of Queen
Thelma Hawkins, Doris West, Sherry Woods, Julia Krebs



Suhrstedt DuoCANCELED DUE TO ILLNESS

FMU Artist Series Concert
(Was scheduled for Tuesday 1 Feb 2005)
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

Barbara and Gerhardt Suhrstedt, piano duettists

"Astounding uniformity and precision," "a performance that was almost magical" are the ways critics have described Barbara and Gerhardt Suhrstedt, one of America's few touring one-piano, four-hand teams.  The Suhrstedts presented their first piano duet concert in 1979.  Since their 1982 New York debut, they have performed in 40 states, in Canada, and in Russia.  Their May, 1998 concert at the Grand Palace in Peterhof (a summer palace of the Romanov Tsars) brought them a standing ovation.

Four Hands Fantastique! will bring to life the era of La Belle Epoque and beyond. Combining music of Bizet, Debussy, Faur
é and Ravel with art slides of paintings by Degas, Gauguin, Monet and Renoir, the Suhrstedts will illustrate the many ways in which French artists inspired and influenced each other, often producing landmarks in French art between 1870 and 1920.  Poetry of Mallarmé and Verlaine will complement this French feast for eyes and ears!

The Suhrstedts will be performing in Florence County schools the week following the January 20 concert, including a three day musical residency at Royall Elementary.  It has been five years since they last performed here, and we welcome Barbara and Gerhardt back to Francis Marion University! 

Stephen CarlsonFMU First Tuesday Chamber Music Series
Tuesday, 8 February 2005
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

Stephen Carlson, piano

Stephen Carlson is a versatile soloist and chamber musician who has performed at many colleges, universities, and festivals throughout the Midwest, Southeastern U.S., and Eastern Canada.  Since 1995, he has regularly appeared at Minnesota Valley Sommarfest where he has performed an array of solo and chamber works.  Carlson has performed chamber music with members of the Greenville Symphony and also performed Mozart’s Concerto in A major, K. 414 in cities throughout eastern Canada, including Montreal, Quebec City, and Halifax with the Gustavus Adolphus College Chamber Orchestra.  In addition, he is one-half of the McKay-Carlson Piano Duo.  He was appointed to the Performing Artist Roster of the South Carolina Arts Commission and is also in demand as an adjudicator and clinician.  Carlson will make his New York debut as a solo recitalist this March in Weill Recital Hall at Carnegie Hall.  He completed the Doctor of Musical Arts degree in piano performance and pedagogy at the University of Iowa where he studied with Uriel Tsachor.  He is also a graduate of the University of Illinois and Gustavus Adolphus College where he studied with Ian Hobson and John McKay, respectively.  Carlson is in his fifth year as Assistant Professor of Music and Coordinator of the Music Program at Coker College in Hartsville, South Carolina, where he teaches piano, piano literature, piano pedagogy and music theory.  Formerly Visiting Assistant Professor of Music at the University of Arkansas Pine Bluff, he has also taught piano at Gustavus Adolphus College and St. Joseph’s School of Music in St. Paul, Minnesota.

strange columns to format (narrow right column)
                      PROGRAM

Six Variations, Op. 34
........... Ludwig van Beethoven
                                           (1770-1827)
 

Five Preludes, Op. 74
.............. Alexander Scriabin
   
Douloureux, déchirant
                  (1872‑1915)
   
Très lent, contemplatif

   
Allegro drammatico

   
Lent, vague, indécis

   
Fier, belliqueux
 

Symphonic Etudes, Op. 13
.............. Robert Schumann
                                          
(1810-1856)
 

Bruyères
................................Claude Debussy
La puerta del vino
                         (1862-1918)
L'Isle joyeuse
 

Three Movements from Petrushka
.........Igor Stravinsky
    Russian Dance                          (1882-1971)

    In Petrushka's Room
    Shrovetide Fair


Caroline Jefferies, violinFMU Department of Fine Arts Guest Recital
Saturday, 12 February 2005
Kassab Hall, Hyman Fine Arts Center, 7:00 pm

Caroline Jefferies, violin

Caroline Jefferies recently graduated Summa Cum Laude from the University of South Carolina on May 6, 2004 with a Bachelor of Music degree in violin performance.  As a "Friends of the School of Music" full scholarship recipient, Jefferies participated in the USC Symphony Orchestra and USC Chamber Orchestra.  In 2001 and 2003, Jefferies won the S.C. M.T.N.A. Collegiate Strings Solo Competition and placed as the alternate in the Southern Division in 2003.

Jefferies was featured on the soundtrack of the film Postcards produced by Duke University in 2003.

During the summers of 2001-2004, Jefferies attended the Sewanee Summer Music Festival where she was chosen numerous times as the concertmaster of the Sewanee Symphony.  She was also an assistant to Charles Wadsworth at the Spoleto Festival U.S.A. in 2003 and 2004.

As a member of the Augusta Symphony Orchestra, Charlotte Philharmonic, Statesboro-Georgia Southern Symphony and Florence Symphony, Jefferies maintains a very active free-lance career in the tri-state area.  Most recently, she has accepted the position of concertmaster of the Charleston Civic Orchestra.  In August of 2004, she began teaching at the Fine Arts Center of Kershaw County where she currently has a private studio of fifteen students.

Originally from Hartsville, S.C., Caroline Jefferies began her violin studies at the age of eight with Dr. Sherry Woods of Florence, S.C.

Fine Arts Concert
Monday, 21 February 2005

McNair Science Building Auditorium, 7:00 pm


United States Air Force Heritage of America Band
    sponsored by Morning News and Francis Marion University


The United States Air Force Heritage of America Band has a rich history of fostering our national heritage, building and sustaining American patriotism, and enhancing esprit de corps in the United States Air Force. It was one of the original Army Air Corps bands, created by order of the Secretary of War on October 1, 1941 and assigned to Barksdale Field, Louisiana. In June 1946, after a short stay at Brooks Field, Texas, the band arrived at Langley Air Force Base, Virginia, its current home.

For over half a century, it has represented the nation and the Air Force with musical and military distinction to the citizens of the Mid-Atlantic in live concerts, to the nation in televised events such as the Today show and the DESERT STORM National Victory Parade, to a worldwide audience through the Web and internationally-distributed video and compact disc recordings, and to heads of state such as the Queen of England, the President of France, the Shah of Iran, and several U.S. presidents.

The band's 61 men and women are assigned to two primary ensembles: the USAF Heritage of America Band (which doubles in concert and ceremonial roles) and the USAF Blue Aces (a popular music ensemble). The concert band breaks down into five independent touring ensembles: the USAF Rhythm in Blue Jazz Ensemble (which also fields the USAF Heritage of America Dixie Players), the USAF Heritage Brass Quintet, the USAF Tradewinds and USAF Langley Winds woodwind quintets, and the USAF American Clarinet Quartet. Each year, the band's ensembles travel more than 30,000 miles to perform 340 concerts for a half million listeners across a seven-state region from New Jersey to South Carolina.

The USAF Heritage of America Band's exceptional musicianship has earned international critical acclaim and numerous honors: eight Air Force Outstanding Unit Awards, four Air Force Organizational Excellence Awards, three Colonel George S. Howard Citations of Musical Excellence for Military Concert Band, North Carolina's Order of the Long Leaf Pine, and countless state and municipal proclamations. Under the leadership of its commander and conductor, Major Douglas Monroe, the USAF Heritage of America Band remains at the forefront of preserving and enriching America's musical heritage into the 21st century.

For information concerning concerts and tours by the USAF Heritage of America Band and its component musical units, please contact:
Director of Operations
USAF Heritage of America Band
86 Hickory Street
Langley Air Force Base, Virginia 23665-2111
(757)764-2931, DSN 574-2931, Fax (757)764-7299
For more information about Air Force Bands and their assigned touring areas, please visit the USAF Bands Division site.


Sue OrrFMU First Tuesday Chamber Music Series
Tuesday, 1 March 2005
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

Sue Orr, soprano, with Benjamin Woods, piano

Sue Butler Orr, a native of Birmingham, Alabama, graduated from Samford University with a Bachelor of Music Degree in vocal performance. While at Samford, she studied with Eleanor Ousley, and appeared as soprano soloist with the university orchestra and sang in numerous opera productions. She then attended Florida State University, receiving a Master of Music Degree also in vocal performance, studying with Eugene Tally-Schmidt. Since coming to Florence, SC in 1969, Mrs. Orr has sung in many churches, appeared as soloist with the Masterworks Choir, Florence Symphony Orchestra, and the Longbay Symphony.

For the past twenty-six years, Mrs. Orr has taught at Francis Marion University. As assistant professor of music, she is the director of the choral program and teaches private voice. Under her leadership, the
choral program has grown and now includes two choral groups: the Concert Choir and CUT TIME, the small show choir. CUT TIME recently performed in Disney World's Magic Kingdom, Baltimore, Washington D.C., Vienna Austria, and will participate in a Music Festivals cruise aboard Sovereign of the Seas on March 31, 2005.

Benjamin Woods has given numerous solo piano concerts across the country, including Coolidge Auditorium of the Library of Congress, and Carnegie Recital Hall in New York City where he made his debut in 1985. As pianist, he has presented many faculty recitals at Francis Marion University, chamber music and solo concerts at numerous other colleges and universities, and performances at community concert series and festivals. He was selected one of twelve national finalists in the U.S. Information Agency's Artistic Ambassador Competition, and one of ten finalists in the Beethoven International Piano Competition.

Benjamin Woods has conducted concerts of the Francis Marion College Chorus, the Florence Choral Society, and the Florence Masterworks Choir and Orchestra. Having served as Music Director/ Conductor of the Florence Symphony Orchestra from 1996 to 2002, he recently retired from this post to devote all his energies to piano performance.  Presently a professor of music at Francis Marion University in Florence, SC, Benjamin Woods has recently received the distinction of being named one of Francis Marion University's Board of Trustees' Research Scholars.

In this recital plans are to alternate
Lieder (art songs) by Franz Schubert with piano transcriptions by Franz Liszt.  Included will be Liebesbotschaft, Das Fischermädchen, Die Stadt, Am Meer and Die Forelle.

                               PROGRAM

Liebesbotschaft . . . . . . . . . . . . . . . . . . . .Franz Schubert

                               Mrs. Orr
Liebesbotschaft . . . . . . . . . . . . . . . . . . . . . Franz Liszt
                               Dr. Woods

Das Fischermädchen. . . . . . . . . . . . . . . . . . .Franz Schubert
                               Mrs. Orr
Das Fischermädchen. . . . . . . . . . . . . . . . . . . . Franz Liszt
                               Dr. Woods

Die Stadt . . . . . . . . . . . . . . . . . . . . . . .Franz Schubert
                               Mrs. Orr
Die Stadt . . . . . . . . . . . . . . . . . . . . . . . . Franz Liszt
                              Dr. Woods

Am Meer . . . . . . . . . . . . . . . . . . . . . . . .Franz Schubert
                               Mrs. Orr
Am Meer . . . . . . . . . . . . . . . . . . . . . . . . . Franz Liszt
                               Dr. Woods

Die Forelle . . . . . . . . . . . . . . . . . . . . . .Franz Schubert
                               Mrs. Orr
Die Forelle . . . . . . . . . . . . . . . . . . . . . . . Franz Liszt
                               Dr. Woods


windsFMU Wind Symphony Concert
Thursday, 3 March 2005
McNair Science Building Auditorium, 8:00 pm

University Wind Symphony
Dr. Terry Roberts, conductor


The Wind Symphony rehearses on Tuesday evenings and is open to adult participation.  This is the third year we have performed in this format.  As you can see from the personnel roster, the membership is evenly divided between FMU students and community participants.  We are always seeking additional participants; if you play a band instrument or know someone looking for a place to play, please contact us.  Information can be found at http://web.fmarion.edu/~finearts/windband.htm or email Dr. Roberts at troberts@fmarion.edu.

PROGRAM
Procession of the Nobles . . . . . . .Nicholas Rimsky-Korsakov

Prelude, Opus 3, No. 2 . . . . . . . . . . Sergei Rachmaninoff

George Washington Bridge . . . . . . . . . . . William Schuman

Buffalo Jump Ritual . . . . . . . . . . . . . . Daniel Bukvich

The Symphonic Gershwin . . . . . . . . . . . . George Gershwin


Sakiko OhashiFMU Artist Series Concert
Wednesday, 23 March 2005
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

Sakiko Ohashi, piano

Sakiko Ohashi, a native of Kobe, Japan, began her piano studies at the age of four. By the time she was 10 years old, she was accepted to the Juilliard Pre-College Division as a student of Herbert Stessin. Since then, performances have taken her throughout the United States, Canada, Japan, and Europe.

In 1996, Ms. Ohashi made her concerto debut at Lincoln Center in New York, performing Bartok's 3rd piano concerto with the Juilliard Symphony conducted by Otto-Werner Mueller. She is also the winner of the 1993 E. Nakamichi Concerto Competition at the Aspen Music Festival where she appeared with the Aspen Young Artists Orchestra. Her other concerto appearances have included the South Carolina Philharmonic, Florence Orchestra, New Orleans Civic Orchestra, Dover Symphony and the Killington Music Festival Orchestra. In New York, her appearances have included venues such as Alice Tully Hall, Carnegie Weill Recital Hall, Juilliard Theatre, and The Harvard Club. 

At the Juilliard School, her awards and scholarships included Van Cliburn, Lilian Halpern, Bertha Levin, Alexander Siloti, and the Maxwell Muriel Gluck Fellowship. She studied chamber music under Felix Galimir, Stephen Clapp, and Jonathan Feldman. An avid chamber musician, she has collaborated with the members of the New York Philharmonic, Metropolitan Opera Orchestra, Atlanta, and Chicago Symphonies.

Ms. Ohashi has appeared in numerous music festivals, including the Aspen Music Festival, the Killington Music Festival, Orford Centre for the Arts, Banff Center for the Arts, Fontainebleau Music Festival in France, Glassboro Summer Session, and Mozarteum Summer Academy in Salzburg, Austria.     

Ms.Ohashi holds Bachelor and Master of Music degrees from the Juilliard School, and has taught at the Greenwich House of Music in New York and at the Sewanee Summer Music Festival in Tennessee. She has studied with Zitta Zohar and participated in masterclasses with Anton Kuerti, Philippe Entremont, Gaby Casadesus, Philippe Bianconi, Bernd Glemser, and Catherine Vickers. She is featured in 3 CDs of Creole composers Gottschalk, Dede, and Lambert on the Naxos label.

In addition to her solo performances, she collaborates with violinist Helen Hwaya Kim and pianist Anna Stoytcheva.

Ms. Ohashi currently resides in New Orleans, LA where she is the faculty for piano at the New Orleans Center for Creative Arts. She is also the executive/artistic director of the New Orleans Chamber Music Festival, which opened its first season in Jan. 2005.

PROGRAM

French Suite Nr. 2 in c minor . . . . . . J. S. Bach
    Allemande
    Courante
    Sarabande
    Air
    Menuet
    Gigue

Suite Opus 14 . . . . . . . . . . . . . .Bela Bartok
    Allegretto
    Scherzo
    Allegro molto
    Sostenuto

L'isle joyeuse. . . . . . . . . . . . Claude Debussy

Sonata Op. 36 . . . . . . . . . . Sergei Rachmaninov
    Allegro agitato
    Non Allegro-Lento
    L'istesso Tempo- Allegro molto


First Tuesday Chamber Music Series
Tuesday, 5 April 2005
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

The Woods Family

Los Angeles musicians Adrienne and Christopher Woods are joining parents Sherry and Benjamin Woods to perform the First Tuesday concert on April 5 at Francis Marion University. The recital will include works by Bach, Handel-Halverson, Mozart, and the premiere of a new string trio by Sherry Woods.

Woods Family Piano Quartet


Jazz ExpressFMU Department of Fine Arts Concert
Thursday, 7 April 2005
McNair Science Building Auditorium, 8:00 pm

Jazz Express with visiting artist Ingrid Jensen, trumpet
Craig Alberty, director

Ingrid Jensen - trumpet soloist

Selected by Down Beat as one of the "25 most important improvising musicians of the future" and rated in the top three in a number of their critics polls for "talent deserving wider recognition", Ingrid has garnered an impressive reputation for herself.

Born in Vancouver and raised in Nanaimo, Canada, she left home after receiving a number of scholarships and awards to attend the Berklee College of Music in Boston. Since graduating in 1989 her life has been a whirlwind of musical activities. From her days in the all-female band DIVA, to establishing herself and her music in a wide array of musical genres, Ingrid has made her mark. Her three CDs' for the ENJA label won her numerous nominations from the Canadian Juno Awards and a win in 1995 for her first of the three, Vernal Fields.

Her performances as a leader and as a featured soloist have taken her around the world from Canada to Japan, South America, Great Britain, the Caribbean and to almost every country in Europe and Scandinavia.

Her career within New York is a busy one as well. Performing with the Maria Schneider Orchestra, a number of other New York-based bands and with her own groups. Ingrid has received rave reviews and a strong reputation in the jazz circle. In 2003 she was nominated, for the second time, alongside trumpeter Dave Douglas for a JJA Award in New York. She played Gil Evans' Porgy and Bess at the San Francisco Jazz Festival, under the direction of Maria Schneider and was also featured in the festivals' tribute to Woody Shaw and Freddie Hubbard, along with Terrence Blanchard, Eddie Henderson, Bobby Hutcherson and Kenny Garrett. Some of the many musicians she has performed and or recorded with include; Steve Wilson, Jeff 'Tain' Watts, Dr.Lonnie Smith, Marc Copland, Bob Berg, Gary Thomas, Gary Bartz, Jeff Hamilton, Bill Stewart, Terri-Lynn Carrington, Geoff Keezer, Billy Hart, George Garzone, Chris Connor, Victor Lewis, Clark Terry, the Maria Schneider Orchestra and the DIVA big band.

She is currently on faculty at the Peabody Conservatory of Music in Baltimore, as well as having spent time in Austria as professor of Jazz Trumpet at the Bruckner Conservatory of Music and at the Hochshule for Musik in Berlin. She continues to travel and perform extensively, conducting clinics and workshops as well as playing with her own groups and appearing as a guest with a variety of ensembles from around the world. Her current summer workshops include positions at the Salzburg Jazz Seminar and the Port Townsend Jazz Camp.  For more information visit http://www.ingridjensen.com.


PROGRAM
Comin' Home Baby . . . . . . . . . . Bob Dorough, Ben Tucker
Arranged by John Berry

Don't Get Around Much Anymore. . . . . . . . .Duke Ellington
.Arrenged by Gordon Goodwin

Fly Me To The Moon . . . . . . . . . . . . . . . Bart Howard
Arranged by Roger Holmes

Caravan. . . . . . . . . . . . . . . . . . . .Duke Ellington
Arranged by John Berry

Night Train. . . . . . . . . . . . . . . . . . Jimmy Forrest
Arranged by John Berry

Blue Skies . . . . . . . . . . . . . . . . . . Irving Berlin
Arranged by Peter Blair

A Nightingale Sang In Berkley Square . . . . Manning Sherwin
Arranged by John Berry

Ramblin' . . . . . . . . . . . . . . . . . . Ornette Coleman
Arranged by Ingrid Jensen
Ingrid Jensen - Trumpet

Barracudas . . . . . . . . . . . . . . . . . . . . Gil Evans
Arranged by Ingrid Jensen
Ingrid Jensen - Trumpet

Woodcarvings . . . . . . . . . . . . . . . . . Ingrid Jensen
Arranged by Laura Kahle
Ingrid Jensen - Trumpet

Dr. Terry RobertsFMU Department of Fine Arts Guest Recital
Sunday, 10 April 2005
McNair Science Building Auditorium, 3:00 pm

Florence Symphony Youth Orchestra
Dr. Terry Roberts, conductor


The Florence Symphony Youth Orchestra will be performing Sunday April 10, 2005 at 3:00 in McNair Auditorium at Francis Marion University.  The program will include selections from Smetana, Tchaikovsky, Vaughan Williams and the movie "Pirates of the Caribbean".
 
The orchestra is made up of students from Florence and the surrounding area in grades 6-12.  They rehearse on a weekly basis after school and perform three times a year.  In February they performed for over 1400 Fourth Grade students from Florence School District 1 at the Florence Civic Center.


PROGRAM
Two Dances from "The Bartered Bride" . . . . Bedrich Smetana
Polka
Dance of the Comedians

Dance Suite for Strings. . . . . . . . . .Maurice C. Whitney
Allemande
Sarabande
Gigue

Marche Slave, opus 31. . . . . . . . . . . Piotr Tchaikovsky

English Folk Songs Suite . . . . . . .Ralph Vaughan Williams
"Seventeen come Sunday"
"My Bonny Boy"
"Folk Songs from Somerset"

Pirates of the Caribbean . . . . . . . . . . . .Klaus Badelt
arr. Ricketts



windsFMU Wind Symphony Concert
Tuesday, 19 April 2005
McNair Science Building Auditorium, 8:00 pm

University Wind Symphony
Dr. Terry Roberts, conductor


The Wind Symphony rehearses on Tuesday evenings and is open to adult participation.  This is the third year we have performed in this format. The membership is almost evenly divided between FMU students and community participants. We are always seeking additional participants; if you play a band instrument or know someone looking for a place to play, please contact us. Additional information can be found on our website at  http://web.fmarion.edu/~finearts/windband.htm or you may contact Dr. Roberts by email at troberts@fmarion.edu.

PROGRAM
Jubilus . . . . . . . . . . . . . . . . Jan Van der Roost

Midway March. . . . . . . . . . . . . . . . John Williams
Arr. John Moss

Adagio Sostenuto. . . . . . . . . . . . . . . . G. Muffat
Arr. A. Frackenpohl

Celebration for Band. . . . . . . . . . . . Robert Palmer

The Circus Bee. . . . . . . . . . . . . . . .Henry Filmore

The Washington Post . . . . . . . . . . .John Philip Sousa

FMU Department of Fine Arts
Tuesday, 19 April 2005
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

"Cut Time Country"
Cut Time Show Choir
Sue Butler Orr, director


Francis Marion’s show choir, CUT TIME is an audition-only group which combines singing and choreography.  This group performs throughout the region for schools and service organizations.  In the fall of 1996 they traveled to Lake City and Charleston, singing in 5 high schools.  In October of 1997 they sang at Cosmic Ray’s Starlight Café in the Magic Kingdom at Disney World in Orlando.  In 1998 they traveled to Baltimore, Maryland, in Washington, D.C. and in Vienna, Austria.  In April of 2002, they returned to Disney World and Cosmic Ray’s Starlight Café.  Spring of 2003 included a performance cruise to the Bahamas.
Cut Time Show Choir

PROGRAM
Mountain Music . . . . . . . . . . . . . . . . . . . . . . .Randy Owen

Cowboy Take Me Away. . . . . . . . . . . Marcus Hummon & Martie Seidel

Two of a Kind Workin' On A Full House. . . . . . . . . . . .Bobby Boyd
Zac Calcutt

We Danced Anyway . . . . . . . . . . . . . . . . . . . . .Deana Carter
Heather Moore

I Am A Man of Constant Sorrow. . . . . . . . . . . . . .Carter Stanley

If You're Not In It For Love . . . . . . . . . . . . . . .Shania Twain
Kristen Owen

Up!. . . . . . . . . . . . . . . . . . . . . Shania Twain & R.J. Lange

To Get Me To You . . . . . . . . . . . . . . . . . . . . .Diane Warren
Amber Wilks

T-R-O-U-B-L-E. . . . . . . . . . . . . . . . . . . . . . . Greg Gilpin

How Do I Live? . . . . . . . . . . . . . . . . . . . . . .Diane Warren
Kristen Moore

Party For Two. . . . . . . . . . . . . Shania Twain & Billy Currington
Shannon Price and Courtney Dease

Hello Darlin'. . . . . . . . . . . . . . . . . . . . . . Conway Twitty
Joey Webster

I Hope You Dance . . . . . . . . . . . . Tia Sillers & Mark D. Sanders

If Bubba Can Dance I Can Too . . . . . . . . Bob McDill & Mike McGuire

Mountain Music (Reprise)


CUT TIME MEMBERS
Stacy Gandy                   Matt Brown
Heather Moore                Zac Calcutt
Kristen Moore             Courtney Dease
Kristen Owen                  Ryan Floyd
Shannon Price                Jason Jones
Christian Weatherford      Patrick Jones
Amber Wilks                 Joey Webster

A very special Thank You to Mandy Domenech, CUT TIME's choreographer this semester . We think she did an outstanding job and we enjoyed
working with her.

Program cover and posters designed by Jason Jones.


FMU Department of Fine Arts
Thursday, 21 April 2005
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

Recital: Piano Students of Dr. Benjamin Woods

`

FMU Department of Fine Arts Senior Recital
Friday, 22 April 2005
Kassab Hall, Hyman Fine Arts Center, 8:00 pm

Eric Ard, piano

`

FMU Department of Fine Arts
Sunday, 24 April 2005
Central United Methodist Church, 3:00 pm


"The Spiritual"
University Concert Choir
Sue Butler Orr, choral director
Rebecca Culbertson, accompanist

The choral program at Francis Marion affords an opportunity for students who enjoy singing to do just that. The Concert Choir is open to all students without audition. They rehearse three times per week and present a concert at the end of the semester in addition to singing for graduation. CUT TIME, FMU's show choir, is an audition-only group, which performs both on and off campus for various organizations. Interested students should contact the Choral Director.

THANK YOU

To Central United Methodist Church and Bill Mills for making it possible for us to have our concert here.

To Professors Glen Gourley and Benjamin Woods for singing with us on
this concert.

FMU Concert Choir

Concert Choir at Central United Methodist Church

PROGRAM

Hush! Somebody's Callin' My Name . . . . . . . Arr. Brazeal W. Dennard
Maria Fogle and Danielle Richardson, soloists

I Hear a Voice A-Prayin' . . . . . . . . . . . . . . . .Houston Bright

Let The Heaven Light Shine On Me . . . . . . . . . . .Arr. Moses Hogan

If I Got My Ticket, Can I Ride?. . . . . . . . . . . .Arr. Robert Shaw
Courtney Dease, soloist

My Lord, What A Mornin'. . . . . . . . . . . . . . . Harry T. Burleigh

Ain'-A That Good News. . . . . . . . . . . . . . . . William L. Dawson
Choir Ensemble
Zac Calcutt, conductor

I Want Jesus . . . . . . . . . . . . . . . . . . .Arr. Jester Hairston

My God Is A Rock . . . . . . . . . . . . . . . . . . .Arr. Shaw-Parker
Kevin Deaver, soloist

Set Down Servant . . . . . . . . . . . . . . . . . . .Arr. Robert Shaw
Alonda Heyward and Jason Jones, soloists

Sometimes I Feel . . . . . . . . . . . . . . . . . . .Arr. Shaw-Parker
Stacy Gandy, soloist

I Know I Been Changed. . . . . . . . . . . . Arr. Roy L. Belfield, Jr.
Glen Gourley, soloist

I Been In The Storm So Long. . . . . . . . . . .Arr. Robert De Cormier
Christian Weatherford, soloist

My God Is So High. . . . . . . . . . . . . . . . . . .Arr. Moses Hogan
Benjamin Woods, soloist


CONCERT CHOIR MEMBERS

SOPRANO
Emily Blackwell. . . . . . . . . . . . . . . . . . . . . .Pamplico, SC
Niasha Blanding. . . . . . . . . . . . . . . . . . . . . .Brooklyn, NY
Shaquinn Goodwin . . . . . . . . . . . . . . . . . . . .Greenville, SC
Alonda Heyward . . . . . . . . . . . . . . . . . . . . Summerville, SC
Lakisha Johnson. . . . . . . . . . . . . . . . . . . . . . .Sumter, SC
Susan Kinman . . . . . . . . . . . . . . . . . . . . . . .Florence, SC
Christian Weatherford. . . . . . . . . . . . . . . . . . .Pamplico, SC
Megan Welch. . . . . . . . . . . . . . . . . . . . . . . .Florence, SC
Amber Wilks. . . . . . . . . . . . . . . . . . . . . . . .Florence, SC

ALTO
Stephanie Arnette. . . . . . . . . . . . . . . . . . . . . . Dillon SC
Brittney Ayers . . . . . . . . . . . . . . . . . . . . . .Florence, SC
Ashley Brown . . . . . . . . . . . . . . . . . . . . . . . .Marion, SC
Maria Fogle. . . . . . . . . . . . . . . . . . . . . . . .Columbia, SC
Stacy Gandy**. . . . . . . . . . . . . . . . . . . . . . . . Chapin SC
Danielle Richardson. . . . . . . . . . . . . . . . . . .Greenville, SC
Kimberly Rodgers . . . . . . . . . . . . . . . . . . . . Kingstree, SC
Brittney Sherman . . . . . . . . . . . . . . . . . . . . . .Conway, SC

TENOR
Kyle Brazell . . . . . . . . . . . . . . . . . . . . . . Winnsboro, SC
Zac Calcutt* . . . . . . . . . . . . . . . . . . . . . . .Florence, SC
Courtney Dease*. . . . . . . . . . . . . . . . . . . . . .Scranton, SC
Frank Emmanuel . . . . . . . . . . . . . . . . . . . . . . . Sri Lanka
Robert Jones . . . . . . . . . . . . . . . . . . . . . . .Florence, SC

BASS
Chris Brown. . . . . . . . . . . . . . . . . . . . . . . .Florence, SC
Chris Collange . . . . . . . . . . . . . . . . . . . . Alencon, France
Kevin Deaver . . . . . . . . . . . . . . . . . . . . . . .Florence, SC
Ryan Floyd . . . . . . . . . . . . . . . . . . . . . .Johnsonville, SC
Jarrod Harrison. . . . . . . . . . . . . . . . . . . . . . . Lamar, SC
Chris Hatfield . . . . . . . . . . . . . . . . . . . . . .Florence, SC
Jason Jones. . . . . . . . . . . . . . . . . . . . . . . .Florence, SC

CHOIR ENSEMBLE

SOPRANO
Emily Blackwell
Alonda Heyward
Christian Weatherford
Amber Wilks

ALTO
Brittany Ayers
Stacy Gandy
Brittany Sherman

TENOR
Courtney Dease
Robert Jones

BASS
Ryan Floyd
Chris Hatfield
Jason Jones

* Adele Kassab Music Scholarship Recipient
** Adrian Ketcham Music Scholarship Recipient


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